- Nationalism, terrorism and/or resistance
Nationalism, terrorism and/or resistance is the 'theme' for the following artefacts:
- [94] DoothikavO (Mission Everlasting)
- [54] Review of Sevenali (Shadows)
- [76] Aeneas 06
- [82] Ashtars Ongoing Feats
- [83] Ashtar - forum theatre
- [85] Zafarullah Hassim Interview
- [87] Safad - Shatilla (vice-versa)
- [88] The Story of Mona
- [89] The Era of Whales
- [96] Dharmasuri Bandaranayake Interview Transcript
- [97] Dharmasuri Bandaranayake Letter
- [98] Threatening Letter
- [99] Trojan Women Review
- [100] Trikone Newspaper Article
- [101] Third Eye Local Skills Festival Flier, Sept 2004
- [102] Interview with Seelamunai Group
- [103] Prof. Sivathamby Interview
- [133] Sons of the Soil
- [134] Scripts Shanmugalingam
- [135] Theatre Action Group - Sithamparanatham and Viden
- [136] Theatre Action Group Jaffna - notes
- [137] Shanmugalingam Interview Transcript
- [138] Suriya Interview Transcript
- [143] University Teachers for Human Rights Sri Lanka Report
- [144] Raising the Dust Paper
- [145] Theatre for Social Change Report
- [146] Burma Group Letter
- [166] Mother I'd Be Alright, Script
- [177] Newspaper Article on Baghdad Theatre
- [204] Embedded Programme
- [248] Queen and Country
- [281] Professor Maunaguru Interview Transcript
- [316] Abdel Fattah Abu-Sruour Interview Transcript
- [317] Al Rowwad Annual Report 2005
- [318] Hossam Madhoun and Jamal Alrozzi Bios
- [321] Laughter Under the Bombs Script
- [322] UNacceptable Flyer
- [323] UNacceptable Review
- [324] UNacceptable Script
- [325] Abid Jahshan Interview Transcript
- [326] Igal Ezraty Interview Transcript
- [327] Mahmoud Dasuki Interview Transcript
- [328] Longing
- [329] Francois Abu-Salem Interview Transcript
- [330] David Oddie Diary
- [331] David Oddie Diary Palestine '06
- [335] Repertoire Cameri Theatre
- [336] Edward Muallem Interview Transcript
- [337] Imam Aoun Interview Transcript
- [338] George Ibrahim Interview Transcript
- [339] Alive from Palestine Script
- [340] The Wall Script
- [343] Waiting for Messiah Script
- [348] Do Not Forget - Lebanon, July 2007
- [351] Transcript of Workshop Alrozzi and Madhoun
- [352] Transcript of interview with Hossam Madhoun and Jamal Alrozzi
- [353] Interview Transcript Jamal Ghoseh
- [362] Participatory Theatre Practice in Zones of Conflict (Northern Ireland and Africa): What are We Learning?
- [365] The Official Version Script
- [366] Pam Brighton Interview Transcript
- [367] Jeyaranjinee Gnanads Interview Transcript
- [373] Kilele Project Review
- [374] Kilele Project Report
- [375] Barnaby King Project
- [377] Interview Transcript Patricia Ariza
- [380] Jawad Al Assadi Workshop Transcript
- [381] Al Jazeera News Article
- [382] Notes from Mohamed Al Daradji
- [383] Lysistrata in Iraq
- [384] Kashmiri Half-Widows Film email
- [385] Script Excerpt: I am waiting
- [407] Images from the Domestic Violence Project
- [455] Jonathan Chadwick 2005 interview transcript
- [466] Lisa Goldman Interview Transcript
- [467] Jenny Matthews: Women in War Zones
- [468] Theatre and War Transcript
- [469] Tim Robbins Interview Transcript
- [471] Transcript of interview with Avaes Mohammad
- [472] Human Film Flyer
- [474] Ahlaam Flyers
- [477] The Vacuum Cleaner Interview Transcript
- [482] Transcript of interview with David Hare
- [483] Transcript of Interview with Jan Cohen-Cruz
- [493] Friends of Ashtar... 2003
- [497] Transcript of interview with John Jordan of CIRCA
- [498] Transcript of interview with Alex Potts
- [502] Lysistrata Project Poster
- [510] Transcript of interview with Robin Soans
- [514] Reports and reviews Anthony and Cleopatra
- [515] Transcript of online interview with Theatre of War
- [529] Vermont Development Script from Interviews
- [530] The War Project: 9 Acts of Determination Script
- [559] Theatre of Oppressed Season Programme
- [568] Poster of the production of The Wall
- [593] What I Heard About Iraq
- [615] The Road to Guantanamo
- [1235] History of the Conflict
- [681] Dark Age Director
- [688] The Bomb Review
- [692] Sole Purpose Productions, Report 4
- [695] Belfast Safaris Flyers
- [696] Transcript of Interview with Claire Kelly
- [697] Ashtar Theatre News 2006
- [699] Adian McCormack Interview Transcript
- [700] London Bombings Remembered
- [703] Chopper interview transcript
- [704] Theater Censorship in Israel
- [709] The contemporary Palestinian poetry of occupation
- [711] Reconnaissance Wars of the Planetary Frontierland
- [712] The Terrorist Threat: World Risk Society Revisited
- [713] Performance Studies in an Age of Terror
- [714] Bosnia Blues
- [716] ART AND CRISIS: Homeland Security and the Noble Savage
- [717] Symbols: Sites of Creation and Contest in Northern Ireland
- [718] Islamic Martyrdom in the Postcolonial Condition
- [722] Disposable Wars, Disappearing Acts:
- [725] On the Road to Palestine
- [729] Palestinian Culture Takes Root
- [734] Making drama out of conflict
- [735] Still Angry After All These Years.
- [736] Hearts and Minds: Human security approaches to political violence
- [737] The Value of Silence
- [740] Dancing on the Hyphen: Performing Diasporic Subjectivity
- [743] The Hebrew Theater: Between The War and the Holocaust
- [744] A Forum on Theatre and Tragedy In the Wake of September 11, 2001
- [745] Bodies of Evidence and the Intricate Machines of Untruth
- [746] A Letter to My Co-Citizens
- [748] Re:Group/No homeland
- [749] Mourning Speech: Haunting and the Spectral Voices of Nine-Eleven
- [757] Peter Hewitt Speech Text
- [758] Monstrous knowledge: in a world without borders
- [759] Lysistrata
- [760] The view from here: 11 artists talk about the challenge of putting 9/11 on stage.
- [764] The Taste of Bread: My Theatrical Experiences in Lebanon
- [765] National Theatre as Colonized Theatre: The Paradox of Habima
- [767] Places of Memory and Mourning: Palestinian Commemoration in the Refugee Camps of Lebanon
- [769] Kodak Moments, Flashbulb Memories: Reflections on 9/11
- [770] On Nationalism
- [773] Nationalist Sentimentality: Ideology of the Crowd
- [778] Ethnicity, Class and Gender in Israeli Community Theatre
- [779] Whose Play Is It?: The Issue of Authorship/Ownership in
- [785] Sahmatah: Awakening History
- [786] Political Futures: Alternative Theatre in Britain Today
- [787] What if Lear’s Story Were Your Story?
- [788] Before the Fall: Yugoslav Theaters of Opposition
- [789] SEGUNDA SEMANA DE MAYO DE 2007
- [790] Stories from under Occupation: Performing the Palestinian Experience
- [792] Femi Osofisan: The Form of Uncommon Sense
- [793] Prelude to a War
- [796] Dan Baron Cohen: Resistance to Liberation with Derry Frontline Culture and Education
- [797] Living in Solitary Confinement
- [800] How to eat yourself.
- [801] The Complex Art of the Simulation of Peace
- [802] Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin’s Murder
- [803] Introduction: Tragedy
- [807] The Age of Terrorism
- [812] Theater, public space and city identity – memory politics as a challenge in preserving Belgrade’s multicultural identity
- [813] BORDERS AND MAPS IN CONTEMPORARY YUGOSLAVE ART
- [815] ‘To Put One’s Fingers in the Bleeding Wound’:
- [816] THE EMERGENCE OF PALESTINIAN PROFESSIONAL THEATRE AFTER 1967
- [817] Terror: A Speech After 9-11
- [818] Dramaturgies of Violence in International Relations
- [820] Theatre and Terrorism: Griselda Gambaro’s “Information for Foreigners”
- [822] Bush’s Happy Performative
- [823] Humor and Violence
- [828] The Biomechanics of Aggression:
- [829] American Theaters Reflect on the Events of September 11
- [830] OJO CON LA ESCOPOURIBINA
- [831] SEMANA SANTA 2007
- [832] EL ACUERDO DE “RELAJITO
- [833] …LO QUE LA VISITA NO SE LLEVÓ. 2…
- [835] Undemocratic Government Pressure on Media is Unacceptable
- [841] “The Greatest Show on Earth”: Political Spectacle, Spectacular Politics, and the American Pacific
- [842] Culture of Fear: Uncomfortable Transactions between Performance, Theatre and Terrorism
- [848] The act is beautiful if it provokes…
- [857] Performing War: Theatre, Propaganda and Resistance
- [862] Military theatre’ and the possibilities of resistance
- [863] Theatre, performance and the 'war on terror'
- [870] Flyer for Wall of Death and Other Works
- [872] The Trojan Women programme
- [873] How war has shattered the life of a Sri Lankan village
- [885] Film Reviews
- [886] The Days of War
- [890] Political Terror and the Technologies of Memory: Excuse, Sacrifice, Commodification, and Actuarial Moralities
- [896] Alrowwad Funding Brochure
- [897] Alrowwad annual report 2006
- [904] protestas de protestas
- [913] Basel Al Maqosui Images
- [914] MAGOLA Y CHUCHO
- [919] The Overwhelming, Reviews
- [922] Kilele Programme
- [933] Playing against weapon culture description
- [936] AfroReggae Flyer Contact Performance
- [937] Honey and Blood Flyer
- [938] Honey and Blood Press Releases
- [940] The Moment of the Artist and the Warrior
- [944] Performing war: ‘military theatre’ and the possibilities of resistance
- [945] Rupture in the Surface: Ethics of the Abject
- [946] Performance, Politicians, and War: Selling Iraq in the culture war
- [949] Art cannot be used to indoctrinate
- [950] Plonter Script
- [951] Plonter Performance Programme
- [952] Masked Programme
- [956] Plonter Programme (Arabic)
- [974] Al Harah Website information
- [976] The Wall Script, Al Harah
- [980] Wages of Spin Programme
- [983] Well known graffiti artist Banksy hacks the Wall
- [985] Masked Script
- [993] Jinnistan
- [994] He Came Home One Day While I Was Washing Dishes
- [1012] Man is Here, Where is the Woman
- [1013] Mad Men on the Roof or Manufacturing IDPs
- [1019] Women of War
- [1023] Pongu Tamil Photos
- [1039] Audio File Abu-Srour
- [1041] James Ambipussa Workshop
- [1050] Patricia Ariza workshop
- [1051] Hossam and Jamal Workshop
- [1053] Alrowwad Newsletter Sept 07
- [1055] Pam Brighton Interview
- [1057] Ashtar Theatre interviews
- [1059] Al Saraya Theatre Interviews
- [1060] Al Harah Interviews
- [1061] Igal Ezraty Interview
- [1067] George Ibrahim interview
- [1068] Francois Abu Salem
- [1076] Avaes Mohammed interview
- [1078] David Hare interview
- [1079] John Jordan interview
- [1080] The Vacuum Cleaner interview
- [1090] Necropolitics
- [1096] Hossam Madhoun and Jamal Alrozzi Interview
- [1097] Robin Soans Interview
- [1101] Max Stafford Clark
- [1102] Patricia Ariza interview
- [1107] Alex Potts Interview
- [1108] Bindu Materials
- [1113] Sithamparantham Presentation Reflections seminar transcript
- [1114] Jeton Neziraj Transcript Reflections Seminar
- [1116] Pam Brighton Reflections Seminar Transcript
- [1118] We are the children of the camp
- [1122] President Che
- [1125] Staging Peace in Times of War
- [1134] Violence and the Artist
- [1137] Unsettling Memories - an Indian play
- [1139] Dharmasiri Bandaranayake: A dissident voice from the South
- [1140] War Stories: An international Exploration of Theatre and War
- [1142] Just War Stories Workshop Report
- [1143] Report on War Stories Sibiu 2002
- [1144] Workshop on (the) War
- [1145] Theatre analysis of the shooting in Falluja
- [1146] Palestinian Verbatim
- [1159] Reviews of Plonter
- [1165] The Theatre of Oppressed Days
- [1186] Theatre for Everybody information
- [1202] Fallujah Book/Script
- [1203] This is Camp X-Ray DVD
- [1209] Arna's Children DVD
- [1211] Michael Palin's New Europe 22/9/2007
- [1213] Kosovo Blood Theater DVD
- [1214] Banksy Photos from Palestine
- [1216] Undercover DVD
- [1224] What I Heard about Iraq Flyer
- [1228] Theatre to Sort Out War Trauma
- [1229] Ahlaam (Dreams) Flyer
- [1230] Met Pays Damages for Raid on Actors
- [1232] Pongul Tamil Poster
- [1236] Al Kasaba Theatre and Cinematheque Reports
- [1237] Doothikavo poster
- [1243] Pongul Tamil Newspaper Articles
- [1247] Act Together web materials
- [1253] It's old but it's is beautiful
- [1254] Shankill Time Machine CD
- [1277] Sri Lankan artist speaks about death threats by Sinhala extremists
- [1278] Death on a Full Moon Day
- [1279] An Accidental Activist
- [1281] Batticaloa's kooththu survives war and resists globalisation
- [1283] The Palestinian Theatre
- [1287] This is Camp X Ray Pictures
- [1295] Born in Bethlehem Flyer
- [1296] Born in Bethlehem programme
- [1297] Act of War: Robbin's anti-Bush satire takes to the stage in London
- [1298] Theatre of War
- [1299] Three Plays
- [1300] Derik Alfred Interview Audio
- [1303] HA Perera Interview Transcript
- [1304] In on the act 2 video
- [1313] Amén de Mariposas
- [1314] In time of the Butterflies
- [1315] Theatre in El Salvador in the 80s
- [1318] Memorias del calabozo
- [1319] La Esperanza
Nationalism, terrorism and/or resistance is the 'event theme' for the following events:
- Ahlaam - Dreams
- My Name is Rachel Corrie
- Embedded
- Stuff Happens
- The Wall
- Something Going On
- Mr Perfect
- Prime Cut double bill of 'The Mercy Seat' and 'Ashes to Ashes'
- When the Bulbul Stopped Singing
- Afroreggae: Arts Against the Guns in Rio De Janeiro
- Era of Whales
- The Performance of 'Anthony and Cleopatra' for the Openning nigh
- Kilele Project : Artist Exchange
- War Widows Play
- Macbeth
- The Trojan Women
- Beyond The Mirror
- Lysistrata Project
- Alive From Palestine
- A Wonderland: A space for children's expression - with children
- Aeneas 06
- Talking To Terrorists
- War Stories
- Queen and Country
- UNacceptable
- Story of Mona
- Waiting for Messiah
- Do Not Forget - Lebanon, July 2006
- The Official Version
- Women for Peace - Salam Al-Nisaa'
- I am waiting.... a Half -widows of the Kashmir
- Domestic Violence Project, Rwanda
- BBC Radio 4 - Theatre and War 22/6/04
- The Arab-Israeli Cookbook
- The War Project: 9 Acts of Determination
- Theatre of Oppressed Season
- What I Heard About Iraq
- Elevation from Terror
- Wall of Death and Other Works
- Death on a Full Moon Day
- Undesirable Elements
- The Overwhelming
- Playing against Weapon Culture
- AfroReggae: From the Favela to the World
- Honey and Blood
- Masked
- The Wall
- Wages of Spin
- Jinnistan
- Avenge But One of My Two Eyes
- This Is Camp X-Ray - 2003
- Various War Stories Workshops
- Palestine Verbatim
- Fallujah
- Kosovo Blood Theatre Project
- Voices
- AH 7808
- Born in Bethlehem
- An Insight into Current Iraq
- En Pie de Foto
- Once Voces
- Los Amantes Del Demonio

