- language
- English
- three letter code
- eng
- two letter code
- en
English is the 'language' for the following artefacts:
- [28] In Place of War Research Associate Applications
- [27] Photographs from the Exodus Festival
- [30] Missing Persons Project Report
- [31] CCTD Missing Persons Press Release
- [158] Crocodile Seeking Refuge Booking Form
- [33] Gareth Potter Article
- [34] Childrens Theatre Speech
- [35] Theatre as a Model of Future Society
- [36] Dodona Theatre Article
- [37] Interview with Jeton Neziraj
- [38] Interview with Jonathan Chadwick
- [94] DoothikavO (Mission Everlasting)
- [39] Forbidden Lesson Script
- [40] Review Notes - Speckled Blue Eye
- [41] Speckled Blue Eyes Script
- [43] Missing Persons Kosovo Book Proposal
- [44] Performing Artists for Balkan Peace News Release
- [45] The New Bosinain Mosaic - Book Desc.
- [46] World In Flux Creative Report
- [47] Contacting the World Newsletter
- [48] Crocodile Seeking Refuge: Tour Pack
- [49] Crocodiles Seeking Refuge: Script
- [50] Musings in Central America - blog
- [51] Communication in Conflicts - CiC 2006
- [52] Asylum Monologues: Script
- [53] The distance we have travelled - flyer
- [54] Review of Sevenali (Shadows)
- [55] Jeyasankar, S. July 2006
- [56] Jeyasankar, S. Oct 2005 Interview
- [57] War and Our World Poster
- [58] International Practitioner Seminar Biog Booklet
- [59] In Times of Blood and Crime - programme
- [60] Memorialisation of War in Rwanda
- [61] I Have Before Me a Remarkable Document Given To Me by a Young Lady From Rwanda
- [62] I Have Before Me a Remarkable Document Given To Me by a Young Lady From Rwanda
- [63] In Place of War - Project Launch photos
- [64] Ive Got Something To Show You
- [65] Ive Got Something To Show You
- [66] Exodus Onstage!
- [67] Exodus Onstage!
- [68] A Letter From Home - flyer
- [69] Reflections Seminar
- [70] A Letter From Home
- [71] Exodus Onstage 2006 Booklet
- [72] Exodus Festival 2006
- [73] Exodus Live - Winter 2006
- [74] Crocodile Seeking Refuge
- [75] The Longest Winter Script
- [76] Aeneas 06
- [77] Stuff Happens
- [78] Tharcisius Interviews
- [79] Throne of Weapons
- [80] Talking To Terrorists
- [82] Ashtars Ongoing Feats
- [83] Ashtar - forum theatre
- [84] Ashtar Theatre - history
- [85] Zafarullah Hassim Interview
- [86] The Peace Temts
- [87] Safad - Shatilla (vice-versa)
- [91] A Plea for Peace
- [92] Alis Gardens Research Trip Data
- [93] ATM Actors, Interview Transcript
- [96] Dharmasuri Bandaranayake Interview Transcript
- [97] Dharmasuri Bandaranayake Letter
- [98] Threatening Letter
- [99] Trojan Women Review
- [100] Trikone Newspaper Article
- [101] Third Eye Local Skills Festival Flier, Sept 2004
- [102] Interview with Seelamunai Group
- [103] Prof. Sivathamby Interview
- [104] Notes on Interview with Bandaranayake
- [1194] Video of In On The Act II
- [106] BBC Online article
- [107] Contacting The World
- [108] Contacting the World 2004
- [109] Jana Karaliya Actors Transcript
- [110] Press - In Place of War - Uni Life
- [111] ATM Report, Tsunami Affected Children
- [112] Press - In Place of War - Uni Life
- [113] Press - In Place of War - Uni Life
- [114] Thevananth Transcript
- [678] Exodus general flyer - multi-language
- [116] Butterfly Garden Transcript
- [117] Canara Animators Interview
- [118] Childrens Theatre Batticaloa Interview
- [119] Arna information
- [120] Centre for Performing Arts, workers interview
- [121] Ask questions, speak up, disobey!
- [122] Antiwar Campaign Croatia - project report
- [123] CPA Representative Interview Transcript
- [124] Website materials - DAH Theatre
- [125] Making Differences
- [126] Communication in Conflicts
- [127] Johnson - CPA Interview Transcript
- [128] Visiting Arts Report
- [129] DoothikavO Participants Interview
- [130] Suga, Monica and Kassapa - Big Circle Interview
- [131] Menaka Interview Responses
- [132] Play group report - Trincomolee
- [133] Sons of the Soil
- [134] Scripts Shanmugalingam
- [135] Theatre Action Group - Sithamparanatham and Viden
- [136] Theatre Action Group Jaffna - notes
- [137] Shanmugalingam Interview Transcript
- [138] Suriya Interview Transcript
- [139] Upuru Play Group Report - Big Circle
- [140] Applied Theatre Workshop Report III
- [141] Vavunia Report, ATW phase III
- [142] Kids in Touch Evaluation
- [143] University Teachers for Human Rights Sri Lanka Report
- [144] Raising the Dust Paper
- [145] Theatre for Social Change Report
- [146] Burma Group Letter
- [147] Refugee Arts Report for IPOW
- [148] Held
- [149] A Different Place Flyer
- [150] A Letter from Home Script
- [151] Adrian Jackson Presentation Transcript
- [152] Alan Amin Interview Transcript
- [153] Beyond Omarska Synopsis
- [155] Beyond Omarska Website
- [156] Beyond Omskara Script
- [157] Ze Tubia Exhibition Flyer
- [159] Crocodile Seeking Refuge Script Draft
- [160] Sonja Linden Interview Transcript
- [161] I have before me... Promo Pack
- [162] Escape to Safety Evaluation Report
- [163] Escape to Safety flyer - Oldham
- [164] In Place of War Refugee Arts Context Report
- [165] A Letter from Home - Synopsis
- [166] Mother I'd Be Alright, Script
- [167] Identity, performance and social action: Community theatre among refugees
- [168] Documenting the Disappearing Body, Witnessing the Wreckage - by C. Wake
- [169] From Refuge to Freedom
- [170] Renolds, Gisela Interview Transcript
- [171] Exodus General flyer
- [175] Qué No Se Vuelva a Repitir
- [176] Qué No Se Vuelva a Repitir - photos
- [177] Newspaper Article on Baghdad Theatre
- [178] Medical Foundation poster
- [179] Medical Foundation in the news
- [180] Home and Away Script
- [181] Soldiers' Wives - reviews
- [182] I'm an Ayslum Seeker, Get Me into Here.
- [183] Out of Conflict - leaflet
- [184] My Name Is Rachel Corrie - info from website
- [185] My Name Is Rachel Corrie - education pack
- [186] Preview of the Gaza Theatre Festival
- [187] Reviews of Plonter
- [188] Kuljit Chuhan Interview
- [189] Company of Angels - Info from website
- [190] Borderlines Report
- [191] Passenger X Flyer
- [192] Project Outline
- [193] Conflict Resolution through Drama
- [194] What the Women Did - various reviews
- [195] 24 Hour City
- [196] Migrant Voices Press Release
- [197] Migrant Voices NW Script
- [198] Wild Geese Press Release
- [199] Wild Geese Script
- [200] Dave Rogers Interview Transcript
- [201] Afrocats general flyer
- [202] Zamahwand Press Release
- [203] Afrocats - where is home
- [204] Embedded Programme
- [205] Forbidden Lesson flyer
- [206] Gogoli flyer
- [208] Octavo Festival
- [209] Teachers' Notes 2004
- [210] Pericles
- [211] Redley Silva Interview Transcript
- [212] Cilla Baynes Interview Transcript
- [213] Janine Waters Interview Transcript 2004
- [214] Way from Home Flyer
- [215] Onke Ose
- [216] Pantheon of Dieties Flyer
- [217] Osun arts photos
- [218] Osun Arts Workshop Flyer
- [219] Actress Advert
- [220] Performance and Asylum Symposium synopsis
- [221] Reflections by Mammad Aidani
- [222] War Stories Programme
- [223] In God We Trust
- [224] Mother Dust Script
- [226] She Just Jumps
- [227] The Lost Child
- [228] Contacting the World
- [229] The Bomb
- [230] Action Transport - Young Lives
- [231] Reviews of Arna's Children
- [232] The Wall
- [233] Smile! You Are In Gaza
- [234] Secrets of the Cave
- [235] Cilla Baynes and Magdalen Bartlett Transcript
- [236] Something Going On
- [237] Mr. Perfect
- [238] Jidariyya (Mural)
- [239] Narrate or Sleep
- [240] Something Going On - reviews
- [241] Mr Perfect - review
- [243] Afrocats Group Interview
- [244] Afocats Participant interview transcripts
- [245] Contact Arts United Project
- [246] Arts United Facilitator
- [247] Artistic Assistant Arts United
- [248] Queen and Country
- [249] Exodus Festival 2005
- [250] Craig Interview - Arts United
- [251] Young people interview - Arts United
- [252] Kerry - Arts United
- [253] Plagues of Frogs and Lice...
- [254] Leeds Disunited
- [255] Seaside Exodus
- [256] Waste Man - Margate Exodus
- [257] Rehearsal Script
- [258] Jana Karaliya
- [259] Applying Theatre Workshops for Theatre
- [260] Report on Royal College Drama Workshops
- [261] Trikone Narrative Report
- [262] Online edition of Daily News - Features Arts
- [263] Where diverse traditions fuse in harmony
- [264] The lasting significance of The Trojan Women
- [265] Dharmasiri Bandaranayake's Trojan women makes impact on Jaffna audiences
- [266] Protect the Human - How to enter documents
- [267] Exodus Onstage Evaluation
- [268] Contacting the World Evaluation
- [269] Exodus Festival 2006 Letter
- [270] James Thompson notes on Exodus Festival 2006
- [271] Exodus Audience Interview Transcripts
- [272] Evaluator debriefing Exodus Festival 2006
- [273] Performers Interview Transcripts Exodus Festival 2006
- [274] Stall Holders Interview Transcript - Exodus Festival 2006
- [275] Youth Stage Interviews - Exodus Festival 2006
- [276] Erin McNeany Interview Transcript
- [277] Exodus Agma Interim Year report
- [278] Exodus Festival Radio Email
- [279] Exodus Email updates March 2006
- [280] Exodus Email Bulletin July 2006
- [281] Professor Maunaguru Interview Transcript
- [282] Exodus Festival 2005 Report
- [283] Exodus Festival 2006 Programme
- [284] Exodus Funding Application
- [285] Exodus Live Spring 2006 Poster
- [286] Exodus Year 2 Report
- [287] Exodus Trainees
- [288] We with them and them with us
- [289] Audience responses
- [290] Audience Interview Transcripts
- [291] MCTDAS interview Transcript
- [292] East Manchester Refugee Integration Forum
- [293] East Manchester Refugee Integration Forum Report
- [294] Participant Interview Transcripts
- [295] Alison Jeffers Interview Transcript
- [296] Project worker interview transcript
- [297] I've got something to show you
- [303] Refugee Arts Consultancy Brief
- [299] Progressive Unionist Party Flyer
- [300] Community Theatre - Learning from Other Countries
- [301] Playing the Wild Card
- [302] West Belfast/Shankill Arts and Heritage Trail
- [304] Taking Place Invitation
- [305] Interview with Dianne Samuels
- [306] Exhale - info
- [307] Letters of support for In Place of War
- [308] Frederique Lecomte Interview Transcript
- [310] Frederique Lecomte Email
- [312] Frederique Lecomte, IPOW seminar workshop transcript
- [314] Melchiade Ngendabandyikwa Interview Transcript
- [315] Football Storyline
- [316] Abdel Fattah Abu-Sruour Interview Transcript
- [317] Al Rowwad Annual Report 2005
- [318] Hossam Madhoun and Jamal Alrozzi Bios
- [319] Laughter Under the Bombs Website Information
- [320] Laughter Under the Bombs Information
- [321] Laughter Under the Bombs Script
- [322] UNacceptable Flyer
- [323] UNacceptable Review
- [324] UNacceptable Script
- [325] Abid Jahshan Interview Transcript
- [326] Igal Ezraty Interview Transcript
- [327] Mahmoud Dasuki Interview Transcript
- [328] Longing
- [329] Francois Abu-Salem Interview Transcript
- [330] David Oddie Diary
- [331] David Oddie Diary Palestine '06
- [332] Ilan Ronen Interview Transcript (excerpt)
- [333] Yael Ronen Interview Transcript
- [334] Cameri Theatre Project Description
- [335] Repertoire Cameri Theatre
- [336] Edward Muallem Interview Transcript
- [337] Imam Aoun Interview Transcript
- [338] George Ibrahim Interview Transcript
- [339] Alive from Palestine Script
- [340] The Wall Script
- [341] Coming Home Script
- [342] The Murder of Isaac
- [343] Waiting for Messiah Script
- [344] Festival of Modern Arabic Drama Flyer
- [345] Varda Fisch Interview Transcript
- [346] Child of Bethlehem Film Premire Flyer
- [347] Tyger Tyger Group Description
- [348] Do Not Forget - Lebanon, July 2007
- [349] From Peace Child Israel Website
- [350] Interview Transcript Melisse Lewine-Boskovich
- [351] Transcript of Workshop Alrozzi and Madhoun
- [352] Transcript of interview with Hossam Madhoun and Jamal Alrozzi
- [353] Interview Transcript Jamal Ghoseh
- [354] Interview Transcript Moni Yosef
- [355] Al Harah interview transcript
- [356] Gerri Moriarty Interview Transcript
- [357] Space Tours Script
- [358] Exodus Artist Traineeship Flyer
- [359] Exodus Artist Trainee Programme Flyer
- [360] Exhale Promo Documents
- [361] Theatre and War - The uses of art invitation
- [362] Participatory Theatre Practice in Zones of Conflict (Northern Ireland and Africa): What are We Learning?
- [363] Jo Berry Interview Transcript
- [364] Patrick Magee Interview Transcript
- [365] The Official Version Script
- [366] Pam Brighton Interview Transcript
- [367] Jeyaranjinee Gnanads Interview Transcript
- [368] Charlottes Data CD
- [369] A Letter from Home - video clip
- [370] Luggage Labels
- [371] Jackie McArthur Interview Transcript
- [372] Teatro Esquina Latina Email
- [373] Kilele Project Review
- [374] Kilele Project Report
- [375] Barnaby King Project
- [377] Interview Transcript Patricia Ariza
- [378] Culture-Drama and Peacebuilding
- [379] Jawad Al Assadi CV
- [380] Jawad Al Assadi Workshop Transcript
- [381] Al Jazeera News Article
- [382] Notes from Mohamed Al Daradji
- [383] Lysistrata in Iraq
- [384] Kashmiri Half-Widows Film email
- [385] Script Excerpt: I am waiting
- [386] Programme - 2nd annual Afghan National Theatre forum
- [387] Gugliemo Schinina Interview Text
- [389] Theatre for Development and Northern Uganda
- [390] Art of Identity
- [391] Maralinga Hand Bill
- [392] Maralinga Information
- [393] Maralinga Flyer
- [394] Paper Summary, Paul Brown
- [395] Paul Brown Interview Transcript
- [396] Paul Brown Workshop Transcript
- [397] Art of Silence Information
- [398] My Play Exposed Truth Behind Evil Regime
- [399] The Art of Silence
- [400] Breaking the Silence
- [401] Search for Common Ground Approach
- [402] Sierra Leone Peace Conference
- [403] Emrys Savage Interview Transcript
- [404] Emrys Savage Workshop Transcript
- [405] Talking Drum Studio Evaluation
- [407] Images from the Domestic Violence Project
- [408] Participatory Theatre Workshop Pictures
- [409] Images from Mashirika Theatre Company
- [410] Iryo Nabonye Images
- [411] Mashirika UK Tour Booking information
- [413] European Film Festival Brochure
- [414] Al-Kasaba Theatre Brochure 2003
- [415] Al-Kasaba Theatre Brochure Feb 2003
- [416] Al-Kasaba Theatre Brochure March 2006
- [417] Transcript of Interview with Hope Azeda
- [418] Transcript of Hope Azeda Workshop Presentation
- [419] Al-Kasaba Theatre Brochure Sept 2000
- [420] Al-Kasaba Theatre Brochure March 2002
- [421] Al-Kasaba Theatre Brochure December 2001
- [422] Al-Kasaba Theatre Brochure April 2005
- [423] Al-Kasaba Theatre Brochure Jan 2006
- [424] Al-Kasaba Theatre Brochure March 2005
- [425] Al-Kasaba Womes's Film Festival 2006
- [426] Al-Kasaba Theatre Brochure March 2004
- [427] Flemish Film Week Brochure
- [428] Al-Kasaba Theatre Brochure May 2006
- [429] Al-Kasaba Belgium Film Week
- [430] Eighth International Puppet Festival Brochure
- [431] Seventh Internatioal Puppet Festival
- [432] Fourth International Puppet Festival Brochure
- [433] Report on Seventh International Puppet Festival
- [434] Gacaca Trial Transcriptions
- [435] Transcript of Interview with Busingye Johnston
- [436] Interview Transcript for Charles Gahima
- [437] Transcript of interview with Silas Mbonimana
- [438] Thirteenth International Puppet Festival - 2003
- [439] A report on the eighth International Puppet Festival
- [440] Ninth International Puppet Festival Brochure
- [441] Macbeth Programme
- [442] Macbeth Images
- [443] Macbeth Reviews
- [444] MARIM East Manchester Integration event report
- [445] In conversation with Max Stafford Clarke
- [446] A Women's Part
- [447] The Greater Manchester Refugee Arts Partnership (Exodus) funding application
- [448] Afrocats - Where is Home leaflet
- [449] Soul Asylum article
- [450] Dave Duggan: Shorts for Stage and Screen
- [451] Scenes from an Enquiry
- [453] AH6905
- [454] International Theatre Initiative, Sudan Report
- [455] Jonathan Chadwick 2005 interview transcript
- [456] Talking about Theatre and Therapy
- [457] War Stories Project Information
- [458] War Stories Project Proposal
- [459] War Stories Project Description
- [460] War Stories
- [461] War Stories Reflection
- [462] War Stories Evaluation
- [463] David Oddie Interview Transcript
- [464] Arrow Newsletters
- [465] And the Guns Are Getting Louder
- [466] Lisa Goldman Interview Transcript
- [467] Jenny Matthews: Women in War Zones
- [468] Theatre and War Transcript
- [469] Tim Robbins Interview Transcript
- [470] Yesterday Was a Weird Day Flyer
- [471] Transcript of interview with Avaes Mohammad
- [472] Human Film Flyer
- [473] CAN Evaluation 2005/6
- [474] Ahlaam Flyers
- [475] Teachers Resource Book
- [476] Making Theatre In Northern Ireland - Book
- [477] The Vacuum Cleaner Interview Transcript
- [478] Teachers' Activity Book
- [479] I Am Special! Training Manual on Group Activities with Children
- [480] The Positive Crew: Dreaming Under A Different Moon
- [481] Prime Cut
- [482] Transcript of interview with David Hare
- [483] Transcript of Interview with Jan Cohen-Cruz
- [484] The Positive Crew
- [485] Afroreggae: Art Against Guns In Rio De Janeiro
- [486] Tyger Tyger
- [487] Throne Of Weapons Info
- [488] Transcript of conversation with Max Stafford-Clark
- [489] Under The Same Sky
- [490] Yafa Cultural Center Info
- [491] Afroreggae: Amor Em Tempos De Guerra
- [492] The Earth Gods
- [493] Friends of Ashtar... 2003
- [494] Active Theatre Movement 2005
- [495] Active Theatre Movement Leaflet
- [496] Digging Up Stories
- [497] Transcript of interview with John Jordan of CIRCA
- [498] Transcript of interview with Alex Potts
- [499] The War Memorials Handbook
- [500] Centre for Performing Arts Flyer
- [501] Picture Us - Company Info
- [502] Lysistrata Project Poster
- [503] Review
- [504] The Red Room Company Info
- [505] El Quijote Postcard
- [506] Al Rowwad Leaflet
- [507] Teatro La Candelaria
- [508] Review and website info from The Globe
- [509] Something Going On - Report
- [510] Transcript of interview with Robin Soans
- [511] Play Reviews
- [512] Press Release promoting the A'edoon Tour
- [513] The Balata Camp Multi-media Installation
- [514] Reports and reviews Anthony and Cleopatra
- [515] Transcript of online interview with Theatre of War
- [516] Project Report
- [517] Project Information Report
- [518] Magazine Article - Interview with Dave Duggan and Willie Doherty
- [520] Story Booklet - Tales from the Tsunami Trail
- [521] Discussion paper and final project update
- [522] Photographs from S-21
- [523] Reviews
- [524] Newsletters from 2004 and 2005
- [525] A Different Place - review
- [526] The Last Supper flyer
- [527] Transcript of Workshop with Cohen-Cruz and Ghartey-Tageo
- [528] PTSD proposal
- [529] Vermont Development Script from Interviews
- [530] The War Project: 9 Acts of Determination Script
- [531] Transcript of interview with Domitilla Mukantaganzwa
- [532] Umuvugo W’Amahoro - The Poem of Peace Script
- [533] Transcript of interview with Fatuma Ndangiza
- [534] Transcript of the interview with Joseph Nsengimana
- [535] Notes from interview with Guy Theunis
- [536] Interview notes from Aimable Twahirwa
- [537] Iryo Nabonye Script
- [539] Description of Ongera Urebe Ibyaye Nu Rwanda
- [540] Description of the play Umwezi Irwegasana
- [541] Description of the play Umusanzu Ukwiye
- [542] Description of Umukino w’Umuganura
- [544] In Times of Blood and Crime Transcript
- [545] In Times of Blood and Crime event script
- [546] In Place of War Panel at Drama as a Social Intervention
- [547] First Light Film Project Publicity
- [548] First Light Film Project Flyer
- [549] Fun for Life - website materials
- [550] Mine Risk Education Cultural Day - review
- [551] Chinese Opera rendered in Tamil
- [552] War Windows Play - review
- [553] Evaluation Reports - Talking Drum Studio
- [554] In Place of War launch - welcome
- [555] Pongu Tamil newspaper report
- [556] Publicity info - The Art of Silence
- [557] Programme of events
- [558] Youth and War Project - report
- [559] Theatre of Oppressed Season Programme
- [562] The Art of Silence Script
- [563] Banda Aceh footage - James Thompson
- [564] Various articles about James Thompson's work post-Tsunami
- [565] Contacting the World
- [566] Alive from Palestine - poster
- [567] Muslim and Jewish Youth Theatre - poster
- [568] Poster of the production of The Wall
- [569] Not About Heroes - flyer
- [570] Annual Report
- [572] In Place of War seminar participant notes
- [574] Programme reviews from website
- [575] Press reviews and education pack
- [576] Something Going On - poster
- [577] Leaflet
- [578] Posters
- [579] Conference publication - Making Space
- [580] Project guide/workbook
- [581] Workshop and teachers pack
- [582] Audience Feedback - graffiti boards
- [583] Emails relating to Third Eye
- [584] Az Theatre's War Stories Project Update 2005/6
- [585] Tyger Tyger flyer
- [586] Muslim and Jewish Youth Theatre flyer
- [587] Greenroom - In Place of War performance
- [588] The Arrow Programme - flyer
- [589] Project report 2003 and 2004
- [590] Avega Flyer
- [591] Mashirika Flyer
- [592] Gacaca Flyer
- [593] What I Heard About Iraq
- [594] Evaluation of SFCG Activities in Sierra Leone
- [595] DoothikavO
- [596] Jawad Al Assadi - brochure
- [597] Gligamesh Info
- [598] Ravanesan
- [599] Traditional Drums of Sri Lanka
- [600] Kooththu
- [601] Kooththu Workshop
- [602] Kathakali
- [603] Letter From Home - Mini DV tapes (rehersals)
- [604] Rwanda Lecture - James Thompson
- [605] Melchiade Ngendabandyikwa Presentation at Reflections Seminar
- [606] Don Tshibanda Workshop at Reflections Seminar
- [607] Sharif Labeeb Abdunnur Workshop at Reflections Seminar
- [608] A Letter From Home - Performances
- [609] Jeton Neziraj Workshop at Reflections Seminar
- [610] Pam Brighton Workshop at Reflections Seminar
- [611] Sithamparanatham Workshop
- [612] Paul Brown - Workshop
- [613] Video footage of workshops and a performance
- [614] Reflections seminar footage
- [615] The Road to Guantanamo
- [616] Facing The Truth
- [617] A Letter From Home - Images
- [618] Towards a Promised Land - photos
- [619] Odd Theatre - DVD
- [620] Pinterland - CD
- [621] Images of Palestine from field trip
- [622] UK Practitioners
- [623] Jeton Neziraj - workshop
- [624] Christian Aid - War and Peace
- [625] Exhale
- [626] 'Blood' by Sergi Belbel
- [627] Jawad Al-Assadi Workshop DVDs
- [628] Not Forgotten
- [629] CAN Associate Artists Showcase
- [630] Opening session - James Thompson
- [631] Hossam and Jamal's play
- [632] Emrys Savage - workshop
- [633] Hope Azeda's workshop
- [634] Contacting the World 2004
- [635] Centre Lokole - DVD 'Election 2006'
- [636] Jan Cohen-Cruz workshop
- [637] Patricia Ariza - workshop
- [638] Frederique Lecomte workshop
- [639] Hossam and Jamal - workshop
- [640] Centre Lokole - audio CD
- [641] Colour Blind
- [642] Freetong Players, Sierra Leone
- [643] I've Got Something To Show You
- [644] Balata Camp Projects - Shadows of Occupation
- [645] Balata Camp Projects - Yafa Play and Dabka
- [646] Brittannia Rumba - Music
- [647] Laughter Under The Bombs
- [648] Wild Geese Tour - Promotional video
- [649] Something Going On
- [650] Child of Bethlehem
- [651] Exodus Shorts Film Festival Opportunity
- [652] Jeton Neziraj - Theater in Place of War
- [1235] History of the Conflict
- [654] Crocodiles Seeking Refuge
- [655] Hannah and Hanna
- [656] Exile - DVD
- [657] Dispelling The Myths - Annual Review
- [658] Medical Foundation Manchester press
- [659] The Arrow Programme - Newsletter
- [660] Posters of Conflict Project
- [661] Video footage of Troupe Theatrale, Goma
- [662] Healing Through Remembering Report
- [663] Peter Hewitt Speech
- [664] IETM Conflict Report
- [669] The Ocean of Stories
- [670] Stevie's Big Game - programme
- [671] Jana Karaliya Report
- [672] Photographs of Jana Karaliya
- [673] Ghosts - programme
- [674] Eyewitness to the Events
- [675] Out Come The Bastards
- [676] From there to here...
- [677] Township Stories - programme
- [1195] Video of In On The Act II
- [679] Drama In Conflict Transformation
- [680] Castaways Project Flyer
- [681] Dark Age Director
- [682] Event flyer 'Kongres Kebudayaan Aceh 2006'
- [683] Info flyer about Aceh Cultural Institute
- [684] Youth Theatre in the Displaced People’s Camps of Khartoum: Kwoto
- [685] Centre Lokole Photos
- [687] Centre Lokole Evaluation Report 2003
- [688] The Bomb Review
- [692] Sole Purpose Productions, Report 4
- [693] The Bomb Script
- [694] Building Bridges for Peace website
- [695] Belfast Safaris Flyers
- [696] Transcript of Interview with Claire Kelly
- [697] Ashtar Theatre News 2006
- [699] Adian McCormack Interview Transcript
- [700] London Bombings Remembered
- [701] Face 2 Face Love in the UK - flyer
- [702] Dave Duggan Interview Transcript
- [703] Chopper interview transcript
- [704] Theater Censorship in Israel
- [705] Negotiating ‘theatre (in place/instead) of war’
- [706] Jamil Ahmed In times of Blood and Crime
- [707] Negotiating Rituals and ‘Theatre in Place of War’
- [708] Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru
- [709] The contemporary Palestinian poetry of occupation
- [710] Theatre for Reconciliation: Desire and South African Students
- [711] Reconnaissance Wars of the Planetary Frontierland
- [712] The Terrorist Threat: World Risk Society Revisited
- [713] Performance Studies in an Age of Terror
- [714] Bosnia Blues
- [715] The Utopia of Postutopia
- [716] ART AND CRISIS: Homeland Security and the Noble Savage
- [717] Symbols: Sites of Creation and Contest in Northern Ireland
- [718] Islamic Martyrdom in the Postcolonial Condition
- [719] Beyond a “Taxonomic Theater”: Interculturalism after
- [720] LE DERNIER CARAVANSÉRAIL (ODYSSÉES),
- [721] The Political Aesthetics of Holocaust Literature: Peter Weiss's The Investigation and Its Critics
- [722] Disposable Wars, Disappearing Acts:
- [723] Health Theatre in a Hmong Refugee Camp: Performance, Communication, and Culture
- [724] Lethal Theatre: Performance, Punishment, and the Death Penalty
- [725] On the Road to Palestine
- [726] Rina Yerushalami: Ceremonies of War
- [727] Between History and Event: Rehearsing Nuclear War Survival
- [728] Operation Northwoods: The Pentagon’s Scripts for Overthrowing Castro
- [729] Palestinian Culture Takes Root
- [730] Staging Disaster: Reporting Live (sort of ) from Seattle
- [731] Diaspora and the Theatre of the Nation
- [732] A Theatre of Civility: Quarantine Theatre’s Eat Eat
- [733] Children of Herakles (review)
- [734] Making drama out of conflict
- [735] Still Angry After All These Years.
- [736] Hearts and Minds: Human security approaches to political violence
- [737] The Value of Silence
- [738] Armed Conflict, 1989–2003*
- [739] Staging Reconciliation
- [740] Dancing on the Hyphen: Performing Diasporic Subjectivity
- [741] Memory Theaters, Virtual Witnessing, and the Trauma-Aesthetic
- [742] The Sublime and the Subliminal: Modern Identities and the Aesthetics of Combat
- [743] The Hebrew Theater: Between The War and the Holocaust
- [744] A Forum on Theatre and Tragedy In the Wake of September 11, 2001
- [745] Bodies of Evidence and the Intricate Machines of Untruth
- [746] A Letter to My Co-Citizens
- [747] Performance and Cosmopolitics: Cross-cultural Transactions in Australasia
- [748] Re:Group/No homeland
- [749] Mourning Speech: Haunting and the Spectral Voices of Nine-Eleven
- [750] The Politics of Participation: Un Voyage Pas Comme Les Autres Sur Les Chemins De L'Exil
- [751] An Answerability of Memory: “Saving” Khmer Classical Dance
- [752] Armed Conflict and Its International Dimensions,1946–2004*
- [753] Armed Conflict and Peace Agreements
- [754] Taking Hostages: Staging Human Rights
- [755] Parallel Power: Shakespeare, Gunfire and Silence
- [756] Documenting Violations
- [757] Peter Hewitt Speech Text
- [758] Monstrous knowledge: in a world without borders
- [759] Lysistrata
- [760] The view from here: 11 artists talk about the challenge of putting 9/11 on stage.
- [761] Theatre of War in the Former Yugoslavia: Event, Script, Actors
- [762] South Pacific-North Atlantic: From Total War to Total Peace
- [763] Songs, Discos and Dancing in Kiryandongo, Uganda
- [764] The Taste of Bread: My Theatrical Experiences in Lebanon
- [765] National Theatre as Colonized Theatre: The Paradox of Habima
- [766] Curiosity or Contempt: On Spectacle, the Human, and Activism
- [767] Places of Memory and Mourning: Palestinian Commemoration in the Refugee Camps of Lebanon
- [768] Acts of Violence
- [769] Kodak Moments, Flashbulb Memories: Reflections on 9/11
- [770] On Nationalism
- [771] Marked with Red Ink
- [772] Lysistrata on the Arabic Stage
- [773] Nationalist Sentimentality: Ideology of the Crowd
- [774] Introduction: Diaspora, Performance, and National Affiliations in North America
- [775] Disappearance as History: The Stages of Terror
- [776] Odakle Ste? (Where Are You From?)
- [777] Theatre as the healing space:Ping Chong’s Children of War
- [778] Ethnicity, Class and Gender in Israeli Community Theatre
- [779] Whose Play Is It?: The Issue of Authorship/Ownership in
- [780] PSYCHOSOCIAL AND TRAUMA RESPONSE IN WAR-TORN SOCIETIES
- [781] The Politics of Historiography – towards an ethics of representation
- [782] Refugees and Exile: From
- [783] Teaching Witnessing: A Class Wakes to the Genocide in Bosnia
- [784] Rethinking ‘‘After Auschwitz’’: Against a Rhetoric of the
- [785] Sahmatah: Awakening History
- [786] Political Futures: Alternative Theatre in Britain Today
- [787] What if Lear’s Story Were Your Story?
- [788] Before the Fall: Yugoslav Theaters of Opposition
- [789] SEGUNDA SEMANA DE MAYO DE 2007
- [790] Stories from under Occupation: Performing the Palestinian Experience
- [791] Rape as War Strategy: A Drama from Croatia
- [792] Femi Osofisan: The Form of Uncommon Sense
- [793] Prelude to a War
- [794] New Old Times in the Balkans: The Search for a Cultural Identity
- [795] Beginning to Clean the Air: Two Interviews from Belgrade, June 2000
- [796] Dan Baron Cohen: Resistance to Liberation with Derry Frontline Culture and Education
- [797] Living in Solitary Confinement
- [798] Memorialisation of WWII
- [799] Save the Children?—Change the World
- [800] How to eat yourself.
- [801] The Complex Art of the Simulation of Peace
- [802] Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin’s Murder
- [803] Introduction: Tragedy
- [804] Is ‘Refugee Art’ Possible?
- [805] Performing Emergency: Witnessing, Popular Theatre, and The Lie of the Literal
- [806] ‘Change on whose terms? Testimony and an erotics of injury’
- [807] The Age of Terrorism
- [808] Here We Are: Social Theatre and Some Open Questions about Its Developments
- [809] "Far Away, So Close”: Psychosocial and Theatre Activities with Serbian Refugees
- [810] Stories and Song in Iraq and South Africa: From Individual Trauma to Collective Mourning Performances
- [811] Performance and Ethics: Questions for the 21st Century
- [812] Theater, public space and city identity – memory politics as a challenge in preserving Belgrade’s multicultural identity
- [813] BORDERS AND MAPS IN CONTEMPORARY YUGOSLAVE ART
- [814] The Rhythm of Reconciliation:
- [815] ‘To Put One’s Fingers in the Bleeding Wound’:
- [816] THE EMERGENCE OF PALESTINIAN PROFESSIONAL THEATRE AFTER 1967
- [817] Terror: A Speech After 9-11
- [818] Dramaturgies of Violence in International Relations
- [819] How to Tell a True War Story: The Dramaturgy and Staging of Narrative Theatre
- [820] Theatre and Terrorism: Griselda Gambaro’s “Information for Foreigners”
- [821] “You Are Here”: The DNA of Performance
- [822] Bush’s Happy Performative
- [823] Humor and Violence
- [824] Why ‘Social Theatre?’
- [825] Digging up stories: An archaeology of theatre in war.
- [826] Performance of pain, performance of beauty
- [827] Operation Macbeth
- [828] The Biomechanics of Aggression:
- [829] American Theaters Reflect on the Events of September 11
- [834] Enemy Lines: Warfare, Childhood, and Play in Batticaloa
- [835] Undemocratic Government Pressure on Media is Unacceptable
- [836] Makara does its rounds
- [837] White-Out: Theatre as an agent of border patrol
- [838] Colonialism Brought Home: On the Colonialization of the Metropolitan Space
- [839] Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition
- [840] THÉÂTRE DU SOLEIL: Dramatic Response to the Global Refugee Crisis
- [841] “The Greatest Show on Earth”: Political Spectacle, Spectacular Politics, and the American Pacific
- [842] Culture of Fear: Uncomfortable Transactions between Performance, Theatre and Terrorism
- [843] Modernity’s Trickster: “Dipping” and “ Throwing” in Congolese Popular Dance Music
- [844] By way of an introduction, some initial reflections on beauty
- [845] NARRATIVE AND HEALING IN THE HEARINGS OF THE SOUTH AFRICAN TRUTH AND RECONCILIATION COMMISSION
- [846] Theatre and War, 1933-1945; Performance in Extremis
- [847] Digging Up Stories; Applied Theatre, Performance and War
- [848] The act is beautiful if it provokes…
- [851] Performance, Globalization and Conflict Promotion/ Resolution: Experiences from Sri Lanka
- [852] Performing Gacaca in Rwanda: Local Culture for Justice and Reconciliation
- [853] Participation for Liberation or Incrimination
- [854] Ugly, unglamorous and dirty: theatre of relief/ reconciliation/liberation in places of war
- [855] Theatre in place of war
- [856] Digging up stories: an archaeology of theatre in war
- [857] Performing War: Theatre, Propaganda and Resistance
- [858] Ethical Cleansing? The process of gaining ‘ethical approval’ for a new research project exploring performance in place of war
- [859] We’re Not Canute’s Courtiers
- [860] Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories
- [861] Performance of pain, performance of beauty
- [862] Military theatre’ and the possibilities of resistance
- [863] Theatre, performance and the 'war on terror'
- [864] Half-hearted promises or wrapping ourselves in the flag: two approaches to the pedagogy of citizenship
- [865] Take this Road, the Movie
- [868] Looking for Esrafil
- [870] Flyer for Wall of Death and Other Works
- [871] Alternative Media Workshop documents
- [872] The Trojan Women programme
- [873] How war has shattered the life of a Sri Lankan village
- [874] Butterfly Garden Flyer
- [876] Flyer for Yakshagamanaya
- [877] Programme Flyers
- [878] Flyer for Kol Inum Korram
- [879] Jana Karaliya Mobile Theatre discussion
- [882] Third Eye Workshop photos
- [885] Film Reviews
- [886] The Days of War
- [887] Womad festival programme
- [889] Applied Theatre Research Project materials
- [890] Political Terror and the Technologies of Memory: Excuse, Sacrifice, Commodification, and Actuarial Moralities
- [891] Centre Lokole workshop material
- [892] Films by Chester Yang
- [893] In On The Act
- [894] In On The Act
- [895] Five Coloured Fox photos
- [897] Alrowwad annual report 2006
- [898] Esther UNHCR interview transcript
- [899] Goma Troupe interview transcript
- [900] SOFAD group interview transcript
- [901] SOFAD Madam interview transcript
- [902] Travelling with films in India
- [903] Theatre Education — Behind and Beyond ‘Tradition’
- [905] Audience interview transcripts - Letter from Home
- [906] Interview Transcripts - Letter from Home
- [907] Truth in Translation
- [908] Platform: Aftermaths
- [909] Lead Panel: Performance
- [910] Lead Panel: Violent Conflict and the Body
- [911] Lead Panel: Causes
- [912] PLATFORM: Being At War
- [913] Basel Al Maqosui Images
- [915] BBC Sierra Leone information
- [916] Sierra Leone 2000
- [917] Sarajevo, Lieu de memoire
- [918] Drama for Development in post-war iraq website
- [919] The Overwhelming, Reviews
- [922] Kilele Programme
- [923] Voices Information Packet
- [924] Concerning War
- [925] UK Arts International E-book
- [926] Telling the Truth about Apartheid
- [928] Zamahwand flyer
- [929] Bugaa Theatre Festival opening event flyer
- [933] Playing against weapon culture description
- [934] Southern Sudan Popular Theatre
- [935] Kwoto Popular Theatre
- [936] AfroReggae Flyer Contact Performance
- [937] Honey and Blood Flyer
- [938] Honey and Blood Press Releases
- [940] The Moment of the Artist and the Warrior
- [941] Interview Transcripts, Participants
- [942] Frederick Yamusangie Interview Transcript
- [943] Introduction: The End of Ethics?
- [944] Performing war: ‘military theatre’ and the possibilities of resistance
- [945] Rupture in the Surface: Ethics of the Abject
- [946] Performance, Politicians, and War: Selling Iraq in the culture war
- [947] Being Near: Visiting the Rwandan genocide memorial site at Murambi, Gikongoro
- [948] Tuyage Twongere evaluation synopsis
- [949] Art cannot be used to indoctrinate
- [954] Arab Hebrew Theatre Information Pack
- [960] Paper from WoW conference: Military Humanitarian Interventions and their Negative...
- [961] Paper from WoW conference: The Imagined Aesthetics of Digital Violence in Post-modern....
- [962] Paper from WoW conference: Reconstructing Pacifism: World War II and the Church of the Brethren
- [963] Paper from WoW conference: The Second World War In Past And Present Polish Landscape Of Memory.
- [964] Paper from WoW conference: Living in the Shadow of Violence: Local Civil-Military Engagement during anti-Communist Insurgency Operations in Central Philippines
- [965] Paper from WoW conference: Return to New Guinea: comparing Australian and Japanese memories of the New Guinea campaign, 1942–1945
- [966] Paper from WoW conference: Memory of the Great War and Collective Identity in Portugal: A very particular case?
- [967] Paper from WoW conference: Societal Memories and War: The Case of Former Yugoslavia
- [968] Paper from WoW conference: The Role of Collective Memory...
- [969] Paper from WoW conference: Palestinian & Irish Women in War...
- [970] Paper from WoW conference: Theorising Orders of Violence...
- [971] Paper from WoW conference: Informed Decisions and War...
- [974] Al Harah Website information
- [975] Hanin El Bahar Information
- [976] The Wall Script, Al Harah
- [977] Key and Life photos
- [978] Hanin El Bahar pictures
- [979] Yalla Yalla photos
- [980] Wages of Spin Programme
- [982] A Certain Maritime Incident
- [983] Well known graffiti artist Banksy hacks the Wall
- [984] We brought peace upon us
- [986] PCI Anthem Lyrics
- [987] PCI USA tour programme
- [989] Arabic Plays in Hebrew
- [991] Jean Azip interview transcript
- [992] Janine Waters Interview Transcript 2006
- [993] Jinnistan
- [994] He Came Home One Day While I Was Washing Dishes
- [995] PCI Year End Invitation 2006
- [996] Paper from WoW conference: Trauma, Ethics and the Balkans: Exploring the Portrayal of Journalists in Recent British Theatre...
- [997] War Stories Kashmiri Project
- [1000] Refugee Theatre Company - flyer
- [999] Paper from WoW conference: Conflict, Culture and the Muslim Menace
- [1001] Where is Home script
- [1002] Universal art lies in the original and genuine application
- [1003] Ashtar Theatre News August 2007
- [1004] War and Our World Performance Panel
- [1005] Maralinga Script Documents
- [1006] Derik Alfred Interview Transcript 2007
- [1007] The new sign
- [1008] Kiss My Paczki, Mr King of the World
- [1009] Founding Mother's Lunch
- [1010] I killed my best friends' father
- [1011] I killed my best friend's father
- [1012] Man is Here, Where is the Woman
- [1013] Mad Men on the Roof or Manufacturing IDPs
- [1014] A man after his own heart
- [1015] Bridging the ethnic divide through theatre and films
- [1016] Authenticity and originality in art stand the test of time
- [1019] Women of War
- [1020] Jawad Al Assadi Data
- [1021] Photographs from I've Got Something to Show You
- [1022] Photos used in Performance
- [1023] Pongu Tamil Photos
- [1024] ARROW Newsletter Sept 07
- [1025] Playing Field Pictures
- [1026] Photos from Rising from the Ashes
- [1027] Habuze Iki Images
- [1028] Audio File Frederique Lecomte
- [1029] Audio File Audience Interviews
- [1030] Audio Files Youth Stage Interviews
- [1031] MiniDV Recording Exodus Audience
- [1032] Video Performers Interviews
- [1033] A Letter from Home Audio Files
- [1034] Audio File Hope Azeda
- [1035] Audio File Jeton Neziraj
- [1036] DVD Frederique Lecomte Workshop
- [1037] Audio File Jonathan Chadwick 2005
- [1038] Audio File Jonathan Chadwick 2005
- [1039] Audio File Abu-Srour
- [1041] James Ambipussa Workshop
- [1042] Impetus to a cultural revival in Tamil Nadu
- [1043] Congo images
- [1044] Exodus Festival 2005 one minute documentary
- [1045] Exodus Festival 2005 10 minute documentary
- [1046] 24 Hour City - DVD
- [1047] MiniDisc Jan Cohen Cruz
- [1048] In Times of Blood and Crime
- [1049] Paul Brown workshop
- [1050] Patricia Ariza workshop
- [1051] Hossam and Jamal Workshop
- [1052] Final Discussion, International Practitioners Seminar
- [1053] Alrowwad Newsletter Sept 07
- [1054] S. Jeyasankar Interview, July 2006
- [1055] Pam Brighton Interview
- [1056] Jo Berry interview
- [1057] Ashtar Theatre interviews
- [1058] Melisse Lewine-Boskovich
- [1059] Al Saraya Theatre Interviews
- [1060] Al Harah Interviews
- [1061] Igal Ezraty Interview
- [1062] Moni Yosef interview
- [1063] Ilan Ronen interview
- [1064] Varda Fisch interview
- [1065] Yael Ronen
- [1066] Jamal Ghoseh Interview
- [1067] George Ibrahim interview
- [1068] Francois Abu Salem
- [1069] Refuge
- [1070] Sri Lankan Interview Files
- [1071] Banda Aech Workshops
- [1072] Interview with Devananth
- [1073] Interview with ATM Actors
- [1074] Arts United Interviews
- [1075] Lisa Goldman interview
- [1076] Avaes Mohammed interview
- [1077] David Oddie interview
- [1078] David Hare interview
- [1079] John Jordan interview
- [1080] The Vacuum Cleaner interview
- [1081] Redley Silva interview
- [1082] Cilla Baynes and Magdalen Bartlett interview
- [1083] Afrocats Participant interviews
- [1084] Afrocats Group Interview
- [1085] I've got something to show you
- [1086] Artist Interviews Exodus Festival
- [1087] Exodus festival debrief
- [1088] Stall holders interviews
- [1089] Paper from WoW conference: CONSTRUCTION OF WARTIME MEMORY...
- [1090] Necropolitics
- [1091] In Place of War Panel - RIDE
- [1092] MCTDAS interview
- [1093] Melchiade Ngendabandyikwa
- [1095] Gisela Renolds Interview
- [1096] Hossam Madhoun and Jamal Alrozzi Interview
- [1097] Robin Soans Interview
- [1098] Alison Jeffers Interview
- [1099] Launch Speeches, In Place of War
- [1100] James - Mapping Practice
- [1101] Max Stafford Clark
- [1102] Patricia Ariza interview
- [1103] Emrys Fisher Savage
- [1104] Ice and Fire post show discussion
- [1105] Sonja Linden Interview
- [1106] Paul Brown Interview
- [1107] Alex Potts Interview
- [1108] Bindu Materials
- [1109] Dynamic Response to Broken World
- [1110] Sharif Reflections seminar transcript
- [1111] Laughter Under the Bombs book
- [1112] Derik Alfred Reflections Seminar Transcript
- [1113] Sithamparantham Presentation Reflections seminar transcript
- [1114] Jeton Neziraj Transcript Reflections Seminar
- [1115] Melchiade Ngendabandyikwa Presentation Transcript Reflections Seminar
- [1116] Pam Brighton Reflections Seminar Transcript
- [1117] Don Tshibanda Reflections Transcript
- [1119] Reflections Seminar Private Session
- [1120] Bangladeshi Refugees in India During the Age of Globalization: A Human Rights Approach
- [1121] Images connected to performance
- [1123] Photographs of In On The Act II
- [1124] Theatre and Human Rights
- [1125] Staging Peace in Times of War
- [1126] Alt.theatre vol 4 issue 4
- [1127] Life on the Borderline
- [1128] Flying Sparrows Camp Pics
- [1129] Report for CPA_flying sparrows camp
- [1130] Rewrite AGM Invitation
- [1131] Exodus Sparks Flyer
- [1132] IAC Destitution Press Release
- [1133] Event Summary
- [1134] Violence and the Artist
- [1135] Kwoto Cultural Centre Brochure
- [1136] Kolam
- [1140] War Stories: An international Exploration of Theatre and War
- [1141] The Longest Winter and Post-Conflict Theatre in Kosovo
- [1142] Just War Stories Workshop Report
- [1143] Report on War Stories Sibiu 2002
- [1144] Workshop on (the) War
- [1145] Theatre analysis of the shooting in Falluja
- [1146] Palestinian Verbatim
- [1147] Royal Armouries Exhibitions
- [1148] Interpretation Selection 2006-07
- [1149] Interpretation
- [1150] Royal Armouries Educational Programme
- [1151] TDP promtional slide show
- [1153] Cameri Theatre Repertoire 2005-2006
- [1154] Cameri Theatre Peace Foundation Youth Project
- [1155] Cameri Theatre information
- [1158] PCI Evaluation
- [1159] Reviews of Plonter
- [1160] The Other Side
- [1161] Theatre in the Rubble
- [1162] Peace Child Israel Promotional Leaflet
- [1165] The Theatre of Oppressed Days
- [1168] teoria practica
- [1178] Database permission forms (signed)
- [1179] Theatre protest in Zimbabwe
- [1180] David Oddie's diary from trip to Sierra Leone
- [1181] In Place of War Closing event flyer
- [1182] Entertainment, Propaganda, Education. Regional Theatre in Germany and Britain between 1918 and 1945
- [1183] Brandeis Coexistence Event Flyer
- [1184] Exodus Report 2007
- [1186] Theatre for Everybody information
- [1187] DVDs of performance of 'Undercover'
- [1191] Laurence McKeown interview transcript
- [1192] Gaza Drama - transcript
- [1193] Melchiade Ngendabandyikwa
- [1196] Arrow Newsletter - Number 8 - Jan 08
- [1197] In Place of War Digital Display version 1
- [1198] These City Streets DVD
- [1199] The Island DVD
- [1200] A Record of Fear
- [1201] In Place of War Closing Event Programme
- [1202] Fallujah Book/Script
- [1203] This is Camp X-Ray DVD
- [1204] Asylum Monologues Flyer
- [1205] Face 2 Face Love in the UK Programme
- [1206] Cilla Baynes Mapping Interview minidisc
- [1207] Pictures for Website
- [1208] Active Theatre Movement Pictures
- [1210] Interview CD
- [1211] Michael Palin's New Europe 22/9/2007
- [1212] Audience Interviews CD
- [1214] Banksy Photos from Palestine
- [1215] Love Time Now DVD
- [1216] Undercover DVD
- [1218] The Longest Winter Script
- [1219] The Unfortunate Incident Programme
- [1220] The Unfortunate Incident script
- [1221] Child of Biafra Flyer
- [1222] War and our World Programme
- [1223] Freedom Theatre Flyer
- [1224] What I Heard about Iraq Flyer
- [1225] Space Tours information
- [1226] Kigali Memorial Centre Flyers
- [1227] Launch Speeches, Transcript
- [1228] Theatre to Sort Out War Trauma
- [1229] Ahlaam (Dreams) Flyer
- [1230] Met Pays Damages for Raid on Actors
- [1231] Love Time Now Mini-DVs
- [1232] Pongul Tamil Poster
- [1233] Big Circle Manual
- [1234] Audience Questionnaires
- [1236] Al Kasaba Theatre and Cinematheque Reports
- [1240] Celebrating Sanctuary: Conversations with Refugee Artists in the UK
- [1241] Senses of the City and London Arts' Support for Refugees 1999-2002
- [1242] Routes Across Diversity: Developing the Arts of London's Refugee Communities
- [1244] A Sense of Belonging Launch Event
- [1245] Kids in Touch Evaluation
- [1246] Our Life in Pieces article
- [1247] Act Together web materials
- [1248] Peace Child Israel - leaflet
- [1249] Snuff
- [1250] The Overwhelming - JT Rogers
- [1251] Convictions - Script
- [1252] Girls and Dolls
- [1253] It's old but it's is beautiful
- [1254] Shankill Time Machine CD
- [1255] Artabilty Annual Report
- [1256] Al Harah Calendar 2006
- [1258] Abhina Postcards
- [1260] Phase 1 Report - Applied theatre workshop
- [1261] Phase 2 Report - Applied Theatre Workshops
- [1262] Final Year Report
- [1263] A different playground
- [1267] The Walking Boy Programme
- [1269] Unbroken chain
- [1270] Refugee Arts Report
- [1271] Crocodile Seeking Refuge Review
- [1272] Crocodile Seeking Refuge Programme
- [1273] A Sense of Belonging Conference Report
- [1274] Be humiliated, abused and bullied...
- [1275] Oxford Concert Party's Mission Statement
- [1276] Beyond Bars
- [1277] Sri Lankan artist speaks about death threats by Sinhala extremists
- [1278] Death on a Full Moon Day
- [1279] An Accidental Activist
- [1280] The Northeastern Herald - Sept 2003
- [1281] Batticaloa's kooththu survives war and resists globalisation
- [1282] Kooththu Festival at Lionel Wendt
- [1283] The Palestinian Theatre
- [1284] Cameri Theatre Articles
- [1285] Double Think/Hidden Stories Video
- [1286] Tales of Migration
- [1287] This is Camp X Ray Pictures
- [1289] Alison Jeffers Transcript
- [1290] AH 7808 Invitation
- [1292] The Bomb
- [1293] Scared Flyer
- [1294] Refugee week 2008 pamphlet
- [1295] Born in Bethlehem Flyer
- [1296] Born in Bethlehem programme
- [1297] Act of War: Robbin's anti-Bush satire takes to the stage in London
- [1298] Theatre of War
- [1299] Three Plays
- [1300] Derik Alfred Interview Audio
- [1301] Performance Panel WoW conference Audio
- [1302] Laurence McKeown and HA Parera Audio
- [1303] HA Perera Interview Transcript
- [1304] In on the act 2 video
- [1305] An Insight into Current Iraq
- [1306] Photos of 'The Story of the Dog'
- [1307] Transitions Newsletter
- [1308] Koothharangam Issues, 25 - 28
- [1314] In time of the Butterflies
- [1315] Theatre in El Salvador in the 80s
- [1316] De Novo Part 1
- [1321] The Performance of War Images
- [1322] Vivisection Vision: Performing the humanimal
English is the 'first language' for the following people:
- Ruth Daniel
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- Bryony Bell
- Eucharia
- Dienka Hines
- Nathalie Talbot
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- John Armitage
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- Neal Ascherson
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