In Place of War - Database

type: Document

Publications, scripts, transcripts, articles and other text.

Document is the 'type' for the following artefacts:

[28] In Place of War Research Associate Applications
[30] Missing Persons Project Report
[33] Gareth Potter Article
[34] Childrens Theatre Speech
[35] Theatre as a Model of Future Society
[36] Dodona Theatre Article
[37] Interview with Jeton Neziraj
[38] Interview with Jonathan Chadwick
[39] Forbidden Lesson Script
[40] Review Notes - Speckled Blue Eye
[41] Speckled Blue Eyes Script
[43] Missing Persons Kosovo Book Proposal
[45] The New Bosinain Mosaic - Book Desc.
[46] World In Flux Creative Report
[49] Crocodiles Seeking Refuge: Script
[52] Asylum Monologues: Script
[54] Review of Sevenali (Shadows)
[55] Jeyasankar, S. July 2006
[56] Jeyasankar, S. Oct 2005 Interview
[58] International Practitioner Seminar Biog Booklet
[70] A Letter From Home
[75] The Longest Winter Script
[78] Tharcisius Interviews
[82] Ashtars Ongoing Feats
[83] Ashtar - forum theatre
[84] Ashtar Theatre - history
[85] Zafarullah Hassim Interview
[91] A Plea for Peace
[92] Alis Gardens Research Trip Data
[93] ATM Actors, Interview Transcript
[96] Dharmasuri Bandaranayake Interview Transcript
[97] Dharmasuri Bandaranayake Letter
[98] Threatening Letter
[99] Trojan Women Review
[100] Trikone Newspaper Article
[102] Interview with Seelamunai Group
[103] Prof. Sivathamby Interview
[104] Notes on Interview with Bandaranayake
[106] BBC Online article
[109] Jana Karaliya Actors Transcript
[110] Press - In Place of War - Uni Life
[111] ATM Report, Tsunami Affected Children
[112] Press - In Place of War - Uni Life
[113] Press - In Place of War - Uni Life
[114] Thevananth Transcript
[116] Butterfly Garden Transcript
[117] Canara Animators Interview
[118] Childrens Theatre Batticaloa Interview
[120] Centre for Performing Arts, workers interview
[121] Ask questions, speak up, disobey!
[122] Antiwar Campaign Croatia - project report
[123] CPA Representative Interview Transcript
[127] Johnson - CPA Interview Transcript
[128] Visiting Arts Report
[129] DoothikavO Participants Interview
[130] Suga, Monica and Kassapa - Big Circle Interview
[131] Menaka Interview Responses
[132] Play group report - Trincomolee
[133] Sons of the Soil
[134] Scripts Shanmugalingam
[135] Theatre Action Group - Sithamparanatham and Viden
[136] Theatre Action Group Jaffna - notes
[137] Shanmugalingam Interview Transcript
[138] Suriya Interview Transcript
[139] Upuru Play Group Report - Big Circle
[140] Applied Theatre Workshop Report III
[141] Vavunia Report, ATW phase III
[142] Kids in Touch Evaluation
[143] University Teachers for Human Rights Sri Lanka Report
[144] Raising the Dust Paper
[145] Theatre for Social Change Report
[146] Burma Group Letter
[147] Refugee Arts Report for IPOW
[150] A Letter from Home Script
[151] Adrian Jackson Presentation Transcript
[152] Alan Amin Interview Transcript
[153] Beyond Omarska Synopsis
[156] Beyond Omskara Script
[159] Crocodile Seeking Refuge Script Draft
[160] Sonja Linden Interview Transcript
[162] Escape to Safety Evaluation Report
[164] In Place of War Refugee Arts Context Report
[165] A Letter from Home - Synopsis
[166] Mother I'd Be Alright, Script
[168] Documenting the Disappearing Body, Witnessing the Wreckage - by C. Wake
[170] Renolds, Gisela Interview Transcript
[175] Qu� No Se Vuelva a Repitir
[179] Medical Foundation in the news
[180] Home and Away Script
[181] Soldiers' Wives - reviews
[184] My Name Is Rachel Corrie - info from website
[185] My Name Is Rachel Corrie - education pack
[186] Preview of the Gaza Theatre Festival
[187] Reviews of Plonter
[188] Kuljit Chuhan Interview
[189] Company of Angels - Info from website
[190] Borderlines Report
[192] Project Outline
[193] Conflict Resolution through Drama
[194] What the Women Did - various reviews
[197] Migrant Voices NW Script
[199] Wild Geese Script
[200] Dave Rogers Interview Transcript
[207] Voices Book
[209] Teachers' Notes 2004
[211] Redley Silva Interview Transcript
[212] Cilla Baynes Interview Transcript
[213] Janine Waters Interview Transcript 2004
[220] Performance and Asylum Symposium synopsis
[221] Reflections by Mammad Aidani
[224] Mother Dust Script
[226] She Just Jumps
[231] Reviews of Arna's Children
[235] Cilla Baynes and Magdalen Bartlett Transcript
[240] Something Going On - reviews
[241] Mr Perfect - review
[243] Afrocats Group Interview
[244] Afocats Participant interview transcripts
[245] Contact Arts United Project
[246] Arts United Facilitator
[247] Artistic Assistant Arts United
[250] Craig Interview - Arts United
[251] Young people interview - Arts United
[252] Kerry - Arts United
[253] Plagues of Frogs and Lice...
[254] Leeds Disunited
[255] Seaside Exodus
[257] Rehearsal Script
[258] Jana Karaliya
[259] Applying Theatre Workshops for Theatre
[260] Report on Royal College Drama Workshops
[261] Trikone Narrative Report
[262] Online edition of Daily News - Features Arts
[263] Where diverse traditions fuse in harmony
[264] The lasting significance of The Trojan Women
[265] Dharmasiri Bandaranayake's Trojan women makes impact on Jaffna audiences
[266] Protect the Human - How to enter documents
[267] Exodus Onstage Evaluation
[268] Contacting the World Evaluation
[269] Exodus Festival 2006 Letter
[270] James Thompson notes on Exodus Festival 2006
[271] Exodus Audience Interview Transcripts
[272] Evaluator debriefing Exodus Festival 2006
[273] Performers Interview Transcripts Exodus Festival 2006
[274] Stall Holders Interview Transcript - Exodus Festival 2006
[275] Youth Stage Interviews - Exodus Festival 2006
[276] Erin McNeany Interview Transcript
[277] Exodus Agma Interim Year report
[278] Exodus Festival Radio Email
[279] Exodus Email updates March 2006
[280] Exodus Email Bulletin July 2006
[281] Professor Maunaguru Interview Transcript
[282] Exodus Festival 2005 Report
[284] Exodus Funding Application
[286] Exodus Year 2 Report
[287] Exodus Trainees
[288] We with them and them with us
[289] Audience responses
[290] Audience Interview Transcripts
[291] MCTDAS interview Transcript
[293] East Manchester Refugee Integration Forum Report
[294] Participant Interview Transcripts
[295] Alison Jeffers Interview Transcript
[296] Project worker interview transcript
[297] I've got something to show you
[303] Refugee Arts Consultancy Brief
[300] Community Theatre - Learning from Other Countries
[301] Playing the Wild Card
[304] Taking Place Invitation
[307] Letters of support for In Place of War
[308] Frederique Lecomte Interview Transcript
[309] Theatre pour la resolution des conflicts et la reconciliation au Burundi
[310] Frederique Lecomte Email
[311] Theatre et reconciliation
[312] Frederique Lecomte, IPOW seminar workshop transcript
[313] Impact du Spectacle - Habuze Iki
[314] Melchiade Ngendabandyikwa Interview Transcript
[315] Football Storyline
[316] Abdel Fattah Abu-Sruour Interview Transcript
[317] Al Rowwad Annual Report 2005
[318] Hossam Madhoun and Jamal Alrozzi Bios
[321] Laughter Under the Bombs Script
[323] UNacceptable Review
[324] UNacceptable Script
[325] Abid Jahshan Interview Transcript
[326] Igal Ezraty Interview Transcript
[327] Mahmoud Dasuki Interview Transcript
[328] Longing
[329] Francois Abu-Salem Interview Transcript
[330] David Oddie Diary
[331] David Oddie Diary Palestine '06
[332] Ilan Ronen Interview Transcript (excerpt)
[333] Yael Ronen Interview Transcript
[334] Cameri Theatre Project Description
[336] Edward Muallem Interview Transcript
[337] Imam Aoun Interview Transcript
[338] George Ibrahim Interview Transcript
[339] Alive from Palestine Script
[340] The Wall Script
[341] Coming Home Script
[342] The Murder of Isaac
[343] Waiting for Messiah Script
[345] Varda Fisch Interview Transcript
[347] Tyger Tyger Group Description
[350] Interview Transcript Melisse Lewine-Boskovich
[351] Transcript of Workshop Alrozzi and Madhoun
[352] Transcript of interview with Hossam Madhoun and Jamal Alrozzi
[353] Interview Transcript Jamal Ghoseh
[354] Interview Transcript Moni Yosef
[355] Al Harah interview transcript
[356] Gerri Moriarty Interview Transcript
[357] Space Tours Script
[362] Participatory Theatre Practice in Zones of Conflict (Northern Ireland and Africa): What are We Learning?
[363] Jo Berry Interview Transcript
[364] Patrick Magee Interview Transcript
[365] The Official Version Script
[366] Pam Brighton Interview Transcript
[367] Jeyaranjinee Gnanads Interview Transcript
[370] Luggage Labels
[371] Jackie McArthur Interview Transcript
[373] Kilele Project Review
[374] Kilele Project Report
[375] Barnaby King Project
[376] Fernandez Orduz email
[377] Interview Transcript Patricia Ariza
[378] Culture-Drama and Peacebuilding
[379] Jawad Al Assadi CV
[380] Jawad Al Assadi Workshop Transcript
[381] Al Jazeera News Article
[382] Notes from Mohamed Al Daradji
[383] Lysistrata in Iraq
[385] Script Excerpt: I am waiting
[387] Gugliemo Schinina Interview Text
[389] Theatre for Development and Northern Uganda
[390] Art of Identity
[394] Paper Summary, Paul Brown
[395] Paul Brown Interview Transcript
[396] Paul Brown Workshop Transcript
[397] Art of Silence Information
[398] My Play Exposed Truth Behind Evil Regime
[399] The Art of Silence
[400] Breaking the Silence
[401] Search for Common Ground Approach
[402] Sierra Leone Peace Conference
[403] Emrys Savage Interview Transcript
[404] Emrys Savage Workshop Transcript
[405] Talking Drum Studio Evaluation
[406] All in Scene for Peace Development Report
[417] Transcript of Interview with Hope Azeda
[418] Transcript of Hope Azeda Workshop Presentation
[433] Report on Seventh International Puppet Festival
[434] Gacaca Trial Transcriptions
[435] Transcript of Interview with Busingye Johnston
[436] Interview Transcript for Charles Gahima
[437] Transcript of interview with Silas Mbonimana
[439] A report on the eighth International Puppet Festival
[443] Macbeth Reviews
[444] MARIM East Manchester Integration event report
[445] In conversation with Max Stafford Clarke
[446] A Women's Part
[447] The Greater Manchester Refugee Arts Partnership (Exodus) funding application
[449] Soul Asylum article
[450] Dave Duggan: Shorts for Stage and Screen
[451] Scenes from an Enquiry
[453] AH6905
[454] International Theatre Initiative, Sudan Report
[455] Jonathan Chadwick 2005 interview transcript
[456] Talking about Theatre and Therapy
[457] War Stories Project Information
[458] War Stories Project Proposal
[459] War Stories Project Description
[461] War Stories Reflection
[462] War Stories Evaluation
[463] David Oddie Interview Transcript
[464] Arrow Newsletters
[466] Lisa Goldman Interview Transcript
[468] Theatre and War Transcript
[469] Tim Robbins Interview Transcript
[471] Transcript of interview with Avaes Mohammad
[473] CAN Evaluation 2005/6
[475] Teachers Resource Book
[476] Making Theatre In Northern Ireland - Book
[477] The Vacuum Cleaner Interview Transcript
[478] Teachers' Activity Book
[479] I Am Special! Training Manual on Group Activities with Children
[480] The Positive Crew: Dreaming Under A Different Moon
[482] Transcript of interview with David Hare
[483] Transcript of Interview with Jan Cohen-Cruz
[487] Throne Of Weapons Info
[488] Transcript of conversation with Max Stafford-Clark
[490] Yafa Cultural Center Info
[493] Friends of Ashtar... 2003
[496] Digging Up Stories
[497] Transcript of interview with John Jordan of CIRCA
[498] Transcript of interview with Alex Potts
[499] The War Memorials Handbook
[501] Picture Us - Company Info
[503] Review
[504] The Red Room Company Info
[508] Review and website info from The Globe
[509] Something Going On - Report
[510] Transcript of interview with Robin Soans
[511] Play Reviews
[514] Reports and reviews Anthony and Cleopatra
[515] Transcript of online interview with Theatre of War
[516] Project Report
[517] Project Information Report
[518] Magazine Article - Interview with Dave Duggan and Willie Doherty
[520] Story Booklet - Tales from the Tsunami Trail
[521] Discussion paper and final project update
[523] Reviews
[524] Newsletters from 2004 and 2005
[525] A Different Place - review
[527] Transcript of Workshop with Cohen-Cruz and Ghartey-Tageo
[528] PTSD proposal
[529] Vermont Development Script from Interviews
[530] The War Project: 9 Acts of Determination Script
[531] Transcript of interview with Domitilla Mukantaganzwa
[532] Umuvugo W�Amahoro - The Poem of Peace Script
[533] Transcript of interview with Fatuma Ndangiza
[534] Transcript of the interview with Joseph Nsengimana
[535] Notes from interview with Guy Theunis
[536] Interview notes from Aimable Twahirwa
[537] Iryo Nabonye Script
[538] Workshop outline for Centre Lokole
[539] Description of Ongera Urebe Ibyaye Nu Rwanda
[540] Description of the play Umwezi Irwegasana
[541] Description of the play Umusanzu Ukwiye
[542] Description of Umukino w�Umuganura
[543] Centre Lokole Training Manual
[544] In Times of Blood and Crime Transcript
[545] In Times of Blood and Crime event script
[546] In Place of War Panel at Drama as a Social Intervention
[553] Evaluation Reports - Talking Drum Studio
[556] Publicity info - The Art of Silence
[558] Youth and War Project - report
[562] The Art of Silence Script
[564] Various articles about James Thompson's work post-Tsunami
[570] Annual Report
[572] In Place of War seminar participant notes
[573] Games documents
[579] Conference publication - Making Space
[580] Project guide/workbook
[581] Workshop and teachers pack
[583] Emails relating to Third Eye
[584] Az Theatre's War Stories Project Update 2005/6
[589] Project report 2003 and 2004
[594] Evaluation of SFCG Activities in Sierra Leone
[597] Gligamesh Info
[1235] History of the Conflict
[657] Dispelling The Myths - Annual Review
[658] Medical Foundation Manchester press
[662] Healing Through Remembering Report
[663] Peter Hewitt Speech
[664] IETM Conflict Report
[665] Palestine National Theatre - book
[666] Script of Pigeon's Flew
[669] The Ocean of Stories
[671] Jana Karaliya Report
[674] Eyewitness to the Events
[675] Out Come The Bastards
[676] From there to here...
[679] Drama In Conflict Transformation
[681] Dark Age Director
[684] Youth Theatre in the Displaced People�s Camps of Khartoum: Kwoto
[686] Don Tshibanda's Reflections Seminar Comments
[687] Centre Lokole Evaluation Report 2003
[688] The Bomb Review
[692] Sole Purpose Productions, Report 4
[693] The Bomb Script
[694] Building Bridges for Peace website
[696] Transcript of Interview with Claire Kelly
[697] Ashtar Theatre News 2006
[699] Adian McCormack Interview Transcript
[700] London Bombings Remembered
[702] Dave Duggan Interview Transcript
[703] Chopper interview transcript
[704] Theater Censorship in Israel
[705] Negotiating �theatre (in place/instead) of war�
[706] Jamil Ahmed In times of Blood and Crime
[707] Negotiating Rituals and �Theatre in Place of War�
[708] Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru
[709] The contemporary Palestinian poetry of occupation
[710] Theatre for Reconciliation: Desire and South African Students
[711] Reconnaissance Wars of the Planetary Frontierland
[712] The Terrorist Threat: World Risk Society Revisited
[713] Performance Studies in an Age of Terror
[714] Bosnia Blues
[715] The Utopia of Postutopia
[716] ART AND CRISIS: Homeland Security and the Noble Savage
[717] Symbols: Sites of Creation and Contest in Northern Ireland
[718] Islamic Martyrdom in the Postcolonial Condition
[719] Beyond a �Taxonomic Theater�: Interculturalism after
[720] LE DERNIER CARAVANS�RAIL (ODYSS�ES),
[721] The Political Aesthetics of Holocaust Literature: Peter Weiss's The Investigation and Its Critics
[722] Disposable Wars, Disappearing Acts:
[723] Health Theatre in a Hmong Refugee Camp: Performance, Communication, and Culture
[724] Lethal Theatre: Performance, Punishment, and the Death Penalty
[725] On the Road to Palestine
[726] Rina Yerushalami: Ceremonies of War
[727] Between History and Event: Rehearsing Nuclear War Survival
[728] Operation Northwoods: The Pentagon�s Scripts for Overthrowing Castro
[729] Palestinian Culture Takes Root
[730] Staging Disaster: Reporting Live (sort of ) from Seattle
[731] Diaspora and the Theatre of the Nation
[732] A Theatre of Civility: Quarantine Theatre�s Eat Eat
[733] Children of Herakles (review)
[734] Making drama out of conflict
[735] Still Angry After All These Years.
[736] Hearts and Minds: Human security approaches to political violence
[737] The Value of Silence
[738] Armed Conflict, 1989�2003*
[739] Staging Reconciliation
[740] Dancing on the Hyphen: Performing Diasporic Subjectivity
[741] Memory Theaters, Virtual Witnessing, and the Trauma-Aesthetic
[742] The Sublime and the Subliminal: Modern Identities and the Aesthetics of Combat
[743] The Hebrew Theater: Between The War and the Holocaust
[744] A Forum on Theatre and Tragedy In the Wake of September 11, 2001
[745] Bodies of Evidence and the Intricate Machines of Untruth
[746] A Letter to My Co-Citizens
[747] Performance and Cosmopolitics: Cross-cultural Transactions in Australasia
[748] Re:Group/No homeland
[749] Mourning Speech: Haunting and the Spectral Voices of Nine-Eleven
[750] The Politics of Participation: Un Voyage Pas Comme Les Autres Sur Les Chemins De L'Exil
[751] An Answerability of Memory: �Saving� Khmer Classical Dance
[752] Armed Conflict and Its International Dimensions,1946�2004*
[753] Armed Conflict and Peace Agreements
[754] Taking Hostages: Staging Human Rights
[755] Parallel Power: Shakespeare, Gunfire and Silence
[756] Documenting Violations
[757] Peter Hewitt Speech Text
[758] Monstrous knowledge: in a world without borders
[759] Lysistrata
[760] The view from here: 11 artists talk about the challenge of putting 9/11 on stage.
[761] Theatre of War in the Former Yugoslavia: Event, Script, Actors
[762] South Pacific-North Atlantic: From Total War to Total Peace
[763] Songs, Discos and Dancing in Kiryandongo, Uganda
[764] The Taste of Bread: My Theatrical Experiences in Lebanon
[765] National Theatre as Colonized Theatre: The Paradox of Habima
[766] Curiosity or Contempt: On Spectacle, the Human, and Activism
[767] Places of Memory and Mourning: Palestinian Commemoration in the Refugee Camps of Lebanon
[768] Acts of Violence
[769] Kodak Moments, Flashbulb Memories: Reflections on 9/11
[770] On Nationalism
[771] Marked with Red Ink
[772] Lysistrata on the Arabic Stage
[773] Nationalist Sentimentality: Ideology of the Crowd
[774] Introduction: Diaspora, Performance, and National Affiliations in North America
[775] Disappearance as History: The Stages of Terror
[776] Odakle Ste? (Where Are You From?)
[777] Theatre as the healing space:Ping Chong�s Children of War
[778] Ethnicity, Class and Gender in Israeli Community Theatre
[779] Whose Play Is It?: The Issue of Authorship/Ownership in
[780] PSYCHOSOCIAL AND TRAUMA RESPONSE IN WAR-TORN SOCIETIES
[781] The Politics of Historiography � towards an ethics of representation
[782] Refugees and Exile: From
[783] Teaching Witnessing: A Class Wakes to the Genocide in Bosnia
[784] Rethinking ��After Auschwitz��: Against a Rhetoric of the
[785] Sahmatah: Awakening History
[786] Political Futures: Alternative Theatre in Britain Today
[787] What if Lear�s Story Were Your Story?
[788] Before the Fall: Yugoslav Theaters of Opposition
[789] SEGUNDA SEMANA DE MAYO DE 2007
[790] Stories from under Occupation: Performing the Palestinian Experience
[791] Rape as War Strategy: A Drama from Croatia
[792] Femi Osofisan: The Form of Uncommon Sense
[793] Prelude to a War
[794] New Old Times in the Balkans: The Search for a Cultural Identity
[795] Beginning to Clean the Air: Two Interviews from Belgrade, June 2000
[796] Dan Baron Cohen: Resistance to Liberation with Derry Frontline Culture and Education
[797] Living in Solitary Confinement
[798] Memorialisation of WWII
[799] Save the Children?�Change the World
[800] How to eat yourself.
[801] The Complex Art of the Simulation of Peace
[802] Narratives of Armed Conflict and Terrorism in the Theatre: Tragedy and History in Hanoch Levin�s Murder
[803] Introduction: Tragedy
[804] Is �Refugee Art� Possible?
[805] Performing Emergency: Witnessing, Popular Theatre, and The Lie of the Literal
[806] �Change on whose terms? Testimony and an erotics of injury�
[807] The Age of Terrorism
[808] Here We Are: Social Theatre and Some Open Questions about Its Developments
[809] "Far Away, So Close�: Psychosocial and Theatre Activities with Serbian Refugees
[810] Stories and Song in Iraq and South Africa: From Individual Trauma to Collective Mourning Performances
[811] Performance and Ethics: Questions for the 21st Century
[812] Theater, public space and city identity � memory politics as a challenge in preserving Belgrade�s multicultural identity
[813] BORDERS AND MAPS IN CONTEMPORARY YUGOSLAVE ART
[814] The Rhythm of Reconciliation:
[815] �To Put One�s Fingers in the Bleeding Wound�:
[816] THE EMERGENCE OF PALESTINIAN PROFESSIONAL THEATRE AFTER 1967
[817] Terror: A Speech After 9-11
[818] Dramaturgies of Violence in International Relations
[819] How to Tell a True War Story: The Dramaturgy and Staging of Narrative Theatre
[820] Theatre and Terrorism: Griselda Gambaro�s �Information for Foreigners�
[821] �You Are Here�: The DNA of Performance
[822] Bush�s Happy Performative
[823] Humor and Violence
[824] Why �Social Theatre?�
[825] Digging up stories: An archaeology of theatre in war.
[826] Performance of pain, performance of beauty
[827] Operation Macbeth
[828] The Biomechanics of Aggression:
[829] American Theaters Reflect on the Events of September 11
[830] OJO CON LA ESCOPOURIBINA
[831] SEMANA SANTA 2007
[832] EL ACUERDO DE �RELAJITO
[833] �LO QUE LA VISITA NO SE LLEV�. 2�
[834] Enemy Lines: Warfare, Childhood, and Play in Batticaloa
[836] Makara does its rounds
[837] White-Out: Theatre as an agent of border patrol
[838] Colonialism Brought Home: On the Colonialization of the Metropolitan Space
[839] Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition
[840] TH��TRE DU SOLEIL: Dramatic Response to the Global Refugee Crisis
[841] �The Greatest Show on Earth�: Political Spectacle, Spectacular Politics, and the American Pacific
[842] Culture of Fear: Uncomfortable Transactions between Performance, Theatre and Terrorism
[843] Modernity�s Trickster: �Dipping� and � Throwing� in Congolese Popular Dance Music
[844] By way of an introduction, some initial reflections on beauty
[845] NARRATIVE AND HEALING IN THE HEARINGS OF THE SOUTH AFRICAN TRUTH AND RECONCILIATION COMMISSION
[846] Theatre and War, 1933-1945; Performance in Extremis
[847] Digging Up Stories; Applied Theatre, Performance and War
[848] The act is beautiful if it provokes�
[849] O Teatro, Guerra e �tica
[850] War Theatres and Actions for Peace: Community-Based Dramaturgy and the Conflict Scene
[851] Performance, Globalization and Conflict Promotion/ Resolution: Experiences from Sri Lanka
[852] Performing Gacaca in Rwanda: Local Culture for Justice and Reconciliation
[853] Participation for Liberation or Incrimination
[854] Ugly, unglamorous and dirty: theatre of relief/ reconciliation/liberation in places of war
[855] Theatre in place of war
[856] Digging up stories: an archaeology of theatre in war
[857] Performing War: Theatre, Propaganda and Resistance
[858] Ethical Cleansing? The process of gaining �ethical approval� for a new research project exploring performance in place of war
[859] We�re Not Canute�s Courtiers
[860] Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories
[861] Performance of pain, performance of beauty
[862] Military theatre� and the possibilities of resistance
[863] Theatre, performance and the 'war on terror'
[864] Half-hearted promises or wrapping ourselves in the flag: two approaches to the pedagogy of citizenship
[866] Pictoral History of Sri Lanka
[867] Newsletters Active Theatre Movement 2005-2006
[868] Looking for Esrafil
[869] Review of ATM tour 2005
[871] Alternative Media Workshop documents
[873] How war has shattered the life of a Sri Lankan village
[875] Butterfly Garden 2005 Annual Report
[879] Jana Karaliya Mobile Theatre discussion
[880] Doothikavo Reviews
[881] Programme - Children's Parliament
[883] Programme for Applied Theatre event in Sri Lanka
[885] Film Reviews
[886] The Days of War
[888] ATM leaflets
[889] Applied Theatre Research Project materials
[890] Political Terror and the Technologies of Memory: Excuse, Sacrifice, Commodification, and Actuarial Moralities
[897] Alrowwad annual report 2006
[898] Esther UNHCR interview transcript
[899] Goma Troupe interview transcript
[900] SOFAD group interview transcript
[901] SOFAD Madam interview transcript
[904] protestas de protestas
[905] Audience interview transcripts - Letter from Home
[906] Interview Transcripts - Letter from Home
[914] MAGOLA Y CHUCHO
[915] BBC Sierra Leone information
[916] Sierra Leone 2000
[917] Sarajevo, Lieu de memoire
[919] The Overwhelming, Reviews
[920] Manual de Animacion Teatral
[923] Voices Information Packet
[924] Concerning War
[925] UK Arts International E-book
[926] Telling the Truth about Apartheid
[930] The Mirror
[932] Bugaa Theatre Festival Newspaper
[933] Playing against weapon culture description
[934] Southern Sudan Popular Theatre
[935] Kwoto Popular Theatre
[940] The Moment of the Artist and the Warrior
[941] Interview Transcripts, Participants
[942] Frederick Yamusangie Interview Transcript
[943] Introduction: The End of Ethics?
[944] Performing war: �military theatre� and the possibilities of resistance
[945] Rupture in the Surface: Ethics of the Abject
[946] Performance, Politicians, and War: Selling Iraq in the culture war
[947] Being Near: Visiting the Rwandan genocide memorial site at Murambi, Gikongoro
[948] Tuyage Twongere evaluation synopsis
[949] Art cannot be used to indoctrinate
[950] Plonter Script
[954] Arab Hebrew Theatre Information Pack
[960] Paper from WoW conference: Military Humanitarian Interventions and their Negative...
[961] Paper from WoW conference: The Imagined Aesthetics of Digital Violence in Post-modern....
[962] Paper from WoW conference: Reconstructing Pacifism: World War II and the Church of the Brethren
[963] Paper from WoW conference: The Second World War In Past And Present Polish Landscape Of Memory.
[964] Paper from WoW conference: Living in the Shadow of Violence: Local Civil-Military Engagement during anti-Communist Insurgency Operations in Central Philippines
[965] Paper from WoW conference: Return to New Guinea: comparing Australian and Japanese memories of the New Guinea campaign, 1942�1945
[966] Paper from WoW conference: Memory of the Great War and Collective Identity in Portugal: A very particular case?
[967] Paper from WoW conference: Societal Memories and War: The Case of Former Yugoslavia
[968] Paper from WoW conference: The Role of Collective Memory...
[969] Paper from WoW conference: Palestinian & Irish Women in War...
[970] Paper from WoW conference: Theorising Orders of Violence...
[971] Paper from WoW conference: Informed Decisions and War...
[973] Key and Life Information
[976] The Wall Script, Al Harah
[983] Well known graffiti artist Banksy hacks the Wall
[985] Masked Script
[986] PCI Anthem Lyrics
[988] Modern Arab theater festival in Jaffa
[989] Arabic Plays in Hebrew
[991] Jean Azip interview transcript
[992] Janine Waters Interview Transcript 2006
[993] Jinnistan
[994] He Came Home One Day While I Was Washing Dishes
[995] PCI Year End Invitation 2006
[996] Paper from WoW conference: Trauma, Ethics and the Balkans: Exploring the Portrayal of Journalists in Recent British Theatre...
[997] War Stories Kashmiri Project
[999] Paper from WoW conference: Conflict, Culture and the Muslim Menace
[1001] Where is Home script
[1002] Universal art lies in the original and genuine application
[1003] Ashtar Theatre News August 2007
[1004] War and Our World Performance Panel
[1005] Maralinga Script Documents
[1006] Derik Alfred Interview Transcript 2007
[1007] The new sign
[1008] Kiss My Paczki, Mr King of the World
[1009] Founding Mother's Lunch
[1010] I killed my best friends' father
[1011] I killed my best friend's father
[1012] Man is Here, Where is the Woman
[1013] Mad Men on the Roof or Manufacturing IDPs
[1014] A man after his own heart
[1015] Bridging the ethnic divide through theatre and films
[1016] Authenticity and originality in art stand the test of time
[1017] Dark Film Group Article
[1019] Women of War
[1020] Jawad Al Assadi Data
[1024] ARROW Newsletter Sept 07
[1042] Impetus to a cultural revival in Tamil Nadu
[1053] Alrowwad Newsletter Sept 07
[1089] Paper from WoW conference: CONSTRUCTION OF WARTIME MEMORY...
[1090] Necropolitics
[1109] Dynamic Response to Broken World
[1110] Sharif Reflections seminar transcript
[1111] Laughter Under the Bombs book
[1112] Derik Alfred Reflections Seminar Transcript
[1113] Sithamparantham Presentation Reflections seminar transcript
[1114] Jeton Neziraj Transcript Reflections Seminar
[1115] Melchiade Ngendabandyikwa Presentation Transcript Reflections Seminar
[1116] Pam Brighton Reflections Seminar Transcript
[1117] Don Tshibanda Reflections Transcript
[1120] Bangladeshi Refugees in India During the Age of Globalization: A Human Rights Approach
[1122] President Che
[1124] Theatre and Human Rights
[1125] Staging Peace in Times of War
[1126] Alt.theatre vol 4 issue 4
[1129] Report for CPA_flying sparrows camp
[1130] Rewrite AGM Invitation
[1133] Event Summary
[1134] Violence and the Artist
[1139] Dharmasiri Bandaranayake: A dissident voice from the South
[1140] War Stories: An international Exploration of Theatre and War
[1141] The Longest Winter and Post-Conflict Theatre in Kosovo
[1142] Just War Stories Workshop Report
[1143] Report on War Stories Sibiu 2002
[1144] Workshop on (the) War
[1145] Theatre analysis of the shooting in Falluja
[1146] Palestinian Verbatim
[1147] Royal Armouries Exhibitions
[1148] Interpretation Selection 2006-07
[1149] Interpretation
[1150] Royal Armouries Educational Programme
[1154] Cameri Theatre Peace Foundation Youth Project
[1156] He is not dead
[1158] PCI Evaluation
[1159] Reviews of Plonter
[1160] The Other Side
[1161] Theatre in the Rubble
[1162] Peace Child Israel Promotional Leaflet
[1165] The Theatre of Oppressed Days
[1166] teatro diez obras
[1167] 3 obras de teatro
[1168] teoria practica
[1169] teoria y practica del teatro
[1170] 6 Obras del Teatro La Candelaria
[1171] Cinco Obras De Creacion Colectiva
[1172] Baraka Troupe Actors Interview Transcripts
[1173] Young Participants' Interview Transcripts
[1174] La Imagen Teatral En La Candelaria
[1175] El Quijote
[1176] Teoria y Practica Del Teatro v.2
[1177] Expedicion por el exodo
[1178] Database permission forms (signed)
[1179] Theatre protest in Zimbabwe
[1180] David Oddie's diary from trip to Sierra Leone
[1182] Entertainment, Propaganda, Education. Regional Theatre in Germany and Britain between 1918 and 1945
[1184] Exodus Report 2007
[1186] Theatre for Everybody information
[1191] Laurence McKeown interview transcript
[1192] Gaza Drama - transcript
[1193] Melchiade Ngendabandyikwa
[1196] Arrow Newsletter - Number 8 - Jan 08
[1200] A Record of Fear
[1202] Fallujah Book/Script
[1218] The Longest Winter Script
[1220] The Unfortunate Incident script
[1225] Space Tours information
[1227] Launch Speeches, Transcript
[1228] Theatre to Sort Out War Trauma
[1230] Met Pays Damages for Raid on Actors
[1233] Big Circle Manual
[1234] Audience Questionnaires
[1236] Al Kasaba Theatre and Cinematheque Reports
[1238] Landmine Awareness Play Script
[1239] Landmine Awareness Play feedback
[1240] Celebrating Sanctuary: Conversations with Refugee Artists in the UK
[1241] Senses of the City and London Arts' Support for Refugees 1999-2002
[1242] Routes Across Diversity: Developing the Arts of London's Refugee Communities
[1243] Pongul Tamil Newspaper Articles
[1245] Kids in Touch Evaluation
[1246] Our Life in Pieces article
[1247] Act Together web materials
[1250] The Overwhelming - JT Rogers
[1251] Convictions - Script
[1253] It's old but it's is beautiful
[1255] Artabilty Annual Report
[1257] Votons Avec Mopila
[1260] Phase 1 Report - Applied theatre workshop
[1261] Phase 2 Report - Applied Theatre Workshops
[1262] Final Year Report
[1263] A different playground
[1269] Unbroken chain
[1270] Refugee Arts Report
[1271] Crocodile Seeking Refuge Review
[1273] A Sense of Belonging Conference Report
[1274] Be humiliated, abused and bullied...
[1275] Oxford Concert Party's Mission Statement
[1276] Beyond Bars
[1277] Sri Lankan artist speaks about death threats by Sinhala extremists
[1278] Death on a Full Moon Day
[1279] An Accidental Activist
[1280] The Northeastern Herald - Sept 2003
[1281] Batticaloa's kooththu survives war and resists globalisation
[1282] Kooththu Festival at Lionel Wendt
[1283] The Palestinian Theatre
[1284] Cameri Theatre Articles
[1286] Tales of Migration
[1289] Alison Jeffers Transcript
[1297] Act of War: Robbin's anti-Bush satire takes to the stage in London
[1298] Theatre of War
[1299] Three Plays
[1303] HA Perera Interview Transcript
[1307] Transitions Newsletter
[1308] Koothharangam Issues, 25 - 28
[1310] Unthinkable Tenderness: Selected Poems
[1313] Am�n de Mariposas
[1314] In time of the Butterflies
[1315] Theatre in El Salvador in the 80s
[1317] Pedro y el Capitán
[1318] Memorias del calabozo
[1319] La Esperanza
[1320] Hoffnung in Kabul - Interview mit dem Theatermacher Hjalmar Jorge Joffre-Eichhorn
[1321] The Performance of War Images
[1322] Vivisection Vision: Performing the humanimal